At Burberry, Blood on the Tracks

Hours before Burberry Prorsum's fall show, Peta protesters stormed the Milan boutique, throwing buckets of red paint on the windows. Burberry's rebutt
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Hours before Burberry Prorsum's fall show, Peta protesters stormed the Milan boutique, throwing buckets of red paint on the windows. Burberry's rebutt
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Hours before Burberry Prorsum's fall show, Peta protesters stormed the Milan boutique, throwing buckets of red paint on the windows. Burberry's rebuttal? A runway full of dark magic, maille references, and warrior princesses that met the future halfway with the medieval. There were no reds on their runway yesterday, but the message from Christopher Bailey was clear: this means war. The battles were many - Burberry's trench-heavy heritage vs. Burberry's bubble-swoosh future. Fair weather party girls vs. stormy, storming women at work. Even the fabrics seemed to fight with each other: a print medley at the show's end had Julia Stegner in a silk camo print - except up close, the camo turned out to be flowers, and coats on the runway resembled Carine Roitfeld's winning Alaïa jacket. Burberry's fashion crusade even hit the headlines: Mr. Bailey's chosen models were so skinny, some threatened to disappear into their enormous lapels, and back in action was Snejana, the model who sat out the New York season after being targeted - over and over again - as a danger to women's health, thanks to her visible bones. She may have lost the battle to walk in Marc and Oscar, but at least on the Milan catwalks (D&G and Pringle, besides Burberry) she appears to be winning her war. (See the whole thing on Style.com)

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