Cushnie et Ochs sent down a subversively feminine collection for Spring/Summer 2011. Perfect for a trend setting hard-edged East Village girl, Carly Cushnie and Michelle Ochs gave us feminine pieces like flouncy pleated skirts, but with a bad ass twist: black leather pleats were mixed in with the chiffon. And if you didn’t hop on the leather shorts trend this summer don’t fret, they’ll be around next summer too, if Cushnie et Ochs have a say. And they’ll be paired with lighter than air distressed chiffon blouses.
Read more »Archive for September 2010
here were sweeties involved with the Honor. Not that I’m complaining. Designer Giovanna Randall, one our Fashionista 15, sent out a box of scrumptious macaroons with her invitation. When we left her beautiful presentation yesterday, we were waved goodbye with a Nars lipstick and a small–but dense–coconut and cream cake, covered in pale blue fondant with the word “Honor” stamped in gold.
In between? Plenty of lovely canapes–from mini fish cakes to Poblano quesadilla bites–which tempered the sugar.
Oh, and there were clothes, too. Lots of them. And they were achingly feminine, enchanting–from another time…almost. Randall skipped out on medical school to design, so her first collection is an amalgamation of everything she’s been wanting for the last few years but wasn’t able to express.
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If there was a men’s highlight to Friday of Fashion Week (next to Hamish Bowles’s duet with Cheyenne Jackson—with Anna Wintour looking on—at The Rug Company’s Fashion’s Night Out event), it was the Rag & Bone show. Everyone was in attendance, and on the edge of their seats.
The results were mixed. David Neville and Marcus Wainwright have moved past the punky downtown and more towards this year’s ubiquitous obsession: workwear. I’ve always seen Rag & Bone as the uniform for bartenders at speakeasies, but not longer—you might do a double take over your gimlet poured by a mixologist in a pair of Japanese denim overalls. That’s right, overalls! Raw indigo denim overalls, to be specific. And the salute to John Henry was just beginning: raw indigo denim chambrays, coats, dungarees, and a poncho followed.
Yet the stronger pieces had nothing to do with denim, like the black and white wool and silk herringbone engine jacket and matching trousers, and a red silk blazer.
Staying true to its simple and streamlined roots, Rag & Bone is moving forward in some surprising, and sometimes satisfying directions. If I’m not totally on board, I’ll be interested to see where this train is headed.
And while Rag & Bone got a little rough and tumble, Tim Hamilton Redux celebrated something closer to rough trade in a collection that was tough, grungy and at the same time soft and taciturn.
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Every season Costello Tagliapietra creates the perfect collection of dresses. This season was no different. Click through for our gorgeous gallery from the show.
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Fashion Shows
Lorick S/S 2011: Linear Dawn
Lorick has had my heart since its Spring/Summer 2009 presentation, where models were elegant, beautiful, and refined yet playful as they dug into pastel-colored cakes. It looked like a scene out of Sofia Coppola’s Marie Antoinette, which by the way, happens to be my all time favorite movie. Every season since then, Abigail Lorick –the mastermind behind Lorick–has been producing beautifully tailored pieces as she strives to embody the ‘Lorick Lady,’ a woman who has eternal style while trends come and go.
As I made my way to Tella Design Studio, I imagined what Lorick might have in store for us this season. Named Linear Dawn, this season’s collection consists of subtle simplicity. Of course I expected beautiful clothing but once again, I was taken back by the attention to detail Lorick offers. From afar, the color palette–soft pinks, light blues, and soft grays–looked whimsical. However, once I moved up close it could be seen that the organza, chiffon, and georgette had been all hand-painted with lines and grids, giving life to the name of the collection. There were lovingly-draped dresses, skirts, and head-pieces, which seemed to be made for the models, who looked like they were all planning to go to some modern tea party after the show.
So, even though there was no cake involved this time around, I was pleasantly impressed by the aesthetics. It was everything I expected from the designer. Très bien!
Click through for a video of the collection.
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Fashion Shows
The Rag & Bone Experiment
Rag & Bone is many things. But if they were one thing, it would be a wearable, salable brand. Yesterday’s show in a meatpacking district warehouse showed that they’d like to be more than that. While there were plenty of marketable pieces, there were also plenty of totally unmarketable ones. And that’s okay, because designers Marcus Wainwright and David Neville took some risks. And with the near-perfect collection they put out last season, they couldn’t do anything but.
There were Rag & Bone staples–a pair of oatmeal drawstring football pants, a red and tan blazer that I’ll be surely ordering–mixed in with some less-predictable items. A mushed up watercolor print, bike shorts with garters, and a few bandage harnesses. It all read as a modern interpretation of early ’90s street culture.
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Jen Kao
Sure there was sand on the runway and there were floaty dresses and soleless sandals at Jen Kao’s show at Milk yesterday, but there was a dark undercurrent running through her collection. Chris Isaac’s “Wicked Games” played for the entire length of the show, and Kao’s line sheets said that she was “inspired by the arid sands and shifting light of the powdery dunes where desert princes find their zombie brides.” Ok…? The zombie bride thing didn’t exactly come across but Kao’s color palette–sand, off-white, dusty rose–certainly gave off a desert vibe. Models strolled through the sand in over-sized slouchy knits and loose airy dresses, most of which were crocheted and macramed, and paired with soleless macrame thongs and shin guards. The stand out look? A dusty rose gown with intricate paneling at the bodice.
Fashion Week
Sneak Peek: The Zac Sack by Z Spoke
Five minutes on the phone with Zac Posen and I’m sold. Sold on the Zac Sack, his new signature bag for the Z Spoke line, sold on his Z-Spoke “Sex Dresses” (we’ll get to that in a moment), and sold on the designer himself. For all his artistry, the former wunderkind is also a salesman. To wit: not only does the Zac Sack strike the perfect balance between uptown lady and downtown grunge gal, Posen declares, it can also make a great in-flight pillow for those tight economy seats. Really.
He may be eccentric, but he’s right about the bag. It’s the perfect size—no Olsen-sized monster or annoyingly tiny clutch for the Z Spoke girl—comes in spot-on colors, and has thoughtful details, like the row of grooves on the underside of its handle to make grasping it on your train commute that much more comfortable. Knowing a man might need assistance in imagining the myriad requirements an ideal bag should fulfill, he hired a female accessories designer (Yaz Buket, an Egyptian princess with a jewelry line at Colette), and used his devoted celebrity following as a testing audience.
“Every actress that came in the studio had to have a go with the prototype,” he told me, which is how Claire Danes, Alexa Chung and Dita von Teese were all spotted carrying the bag even before its release this week at Saks Fifth Avenue. And he credits his experience with Target with giving him the know-how to create a supple leather bag (lined in silk faille, no less) for $525, explaining it was the mega-retailer that taught him to “put what you can do into the product [versus advertising or packaging], and to make the right, intelligent choices.”
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Fashion’s Night Out round two is over. Veni, vidi, vici. It was like Halloween for fashion people. (We wish retailers were handing out clothes like candy.) Conquering the chaos of last night was much easier as Fashion’s Night Out provided the Fashionista team with a Volkswagen Jetta so we could jump from Soho where we shopped Alexa Chung’s collection for Madewell (so cute) uptown to Bergdorf’s to wait on line to see Tom Ford, and made a lot of stops in between.
Here’s the best of what we saw last night, and a few highlights from events we wish we’d had time to see. If you braved FNO last night, we want to know, what was the craziest thing you saw or best purchase you made?
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Thursday’s Ruffian show was a ladylike safari. Here’s what went on behind the scenes.
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Fashion News Roundup
Peter Som Wakes Us Up
It’s kind of like running a marathon after a marathon:
Immediately after his show Friday morning, Peter Som headed uptown to Tommy Hilfiger’s studio, where he would continue more work. (Som consults for the designer, who’s showing this Sunday).
But let’s hope Som finds some time to celebrate his own success later. Not just any collection could shake the slumber from an audience that dragged their designer heels to Milk studios by (gasp!) 9am after Fashion Week’s first night of festivities—but Som did just that.
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Fashion Shows
Lyn Devon Designs My Dream Wardrobe
“It’s my Beene Bag!” Lyn Devon exclaims as she holds up a vintage Geoffrey Beene “Beene Bag” dress, given to her by a writer friend. The dress is cream with a red rope cinching the bust. “She knows that Beene is such a huge influence for me,” she says. Clearly, the writer understands Devon’s take on sportswear. Actually it’s not really a take–it’s a very literal expression. Devon creates real sportswear–you know, the easy, comfortable, bold work and evening wear pieces inspired by less-formal attire. There are very few designers who create real sportswear these days, save for Michael Kors.
This season you’ll find a long, lime green, nearly sheer shirt dress with…a drawstring waist. Or a three piece suit in…pique cotton.
This, to me, is how I want to dress everyday. Devon’s windowpane dress trench, or the windowpane blouse and shorts, are dream pieces. There’s also a gorgeous button down blouse with black pearls individually sewn on all over–Devon’s take on polka dots. “I wanted to play with the idea of being a lady, so we used things like pearls and bows–but I didn’t want it to be too precious,” says Devon. The pussy bow, for instance, shows up in a sleeveless a-line dress–made from avocado-colored leather, natch.
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