Reviews

Prada Fall 2011: Strange Brilliance

Thursday, Feb 24, 2011 / 7:38 PM

MILAN–The Prada show began an hour late. (Apparently there was a problem with the models; several were replaced at the last minute, according to a catwalker in my hotel elevator.) But for the first time in my life, I brought a book to a runway show, so I honestly didn’t notice how long it was taking until Leah texted me, saying, “Has it really not started yet?”

But really, who cares how long it took? All frustrations were put aside when Miuccia Prada sent out her first look: A black coat dress with a blush fur collar, topped with an aviator cap.

What followed, if you read my notes, sounds like a jumbled mess. But it wasn’t, because Mrs. Prada is genius at taking several different ideas—blush and red; school girl dresses; python print boots; swimming caps made of spiky fur; plastic paillettes—and transforming them into one cohesive collection. A collection that will be worn and loved in real life, but also celebrated on the pages of nearly every fashion magazine in existence.

What I think I loved most about Fall 2011, other than the pretty pleated dresses, was the way the girls held their handbags under their right arms. Instead of tucking their wrists under the handle, or sliding the bags over their shoulders, they each clutched theirs like it was a baby doll: secured tight under the arm, close to the body. There was something strange, yet brilliant, about it.

**Photos by Imaxtree.


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Comments [7]

Honestly this was the first collection that hit me as truly fashion week, not just a showing of clothes. I gasped when I saw the first look. Finally, something to be excited about. (and then came D&G, and I loved that, too).

I loved D&G but I don’t understand this Prada show. What is it that makes it so exciting when you see it?

I’m the opposite. I just can’t with that D&G collection… it looks about 10 years too late. The Prada one is the same as always: something about it is brilliant, but I can’t quite put my finger on it until I see it more and more.

D&G is nice and all, you can see why it’s wearable and why a LOT of people would want to buy it, but I’d love some original thought. Those prints they played upon are so tired, and it’s impossible for me to respect that sort of dull repackaging. Way too much like Proenza Schouler or even that American Apparel Afrika line.

Thanks. I’m sure I’m missing something. When I see them styled differently that might help me undersand them.

The Sartorialist, as usual, has some jaw dropping photos of the Prada show. His runway photos always make me wonder why on earth Style.com doesn’t have someone taking photos like that from the front row, instead of head-on shots from the end of the runway The distance and the angle make an incredible difference, t’s like you can reach out and touch those python boots. Things that don’t excite me in the head-on freeze frame photos come to life when I see them how they were intended to be viewed in the show.

That’s good advice. Scott’s pictures will probably do the clothes better justice.

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