Kate Moss' September Vogue Cover Revealed, Plus the Best Bits from Her Cover Story

It's finally here: Vogue's all-important September issue covered by Kate Moss in a purple McQueen and photographed by Mario Testino. The cover story, written by Hamish Bowles, is a really lovely read, and offers an insidery peek at Kate and her wedding as Bowles was a guest himself. Here are the highlights:
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It's finally here: Vogue's all-important September issue covered by Kate Moss in a purple McQueen and photographed by Mario Testino. The cover story, written by Hamish Bowles, is a really lovely read, and offers an insidery peek at Kate and her wedding as Bowles was a guest himself. Here are the highlights:
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It's finally here: Vogue's all-important September issue covered by Kate Moss in a purple McQueen and photographed by Mario Testino. The cover story, written by Hamish Bowles, is a really lovely read, and offers an insidery peek at Kate and her wedding as Bowles was a guest himself. Here are the highlights: Kate cried backstage at Galliano's first Paris show because she only showed one look:

Mario has known her since she was a fragile sixteen-year-old, crying her eyes out backstage at John Galliano’s first Paris show. In that dim, distant past, when a model’s success was judged by the number of changes she had in a show, Kate had been given only one outfit and was feeling unloved. Mario comforted her. “You know, in life there’s perfume and there’s cologne,” he told her. “Cologne, you have to spray every fifteen minutes. Perfume, you put a drop and it lasts a week. You’re perfume.”

Even Kate Moss gets a little Bridezilla-y:

[O]ff-camera nerves are fragile. The groom-to-be “is terrified,” says Kate. His prospective bride is in denial. “Let’s put it this way,” she says. “If I didn’t have my friends. . . . I don’t know how people do it. I’ve had big birthday parties, and I’ve thrown parties for other people, but this is a completely different thing. It’s the Met Ball! Because you have to look at every piece of cutlery; the details are intense. And then you wake up thinking about the ballet shoes for the girls; is the satin ribbon right? I’ve gone mental. Jamie thinks I’m mad, asking, ‘Are you gonna be all right? After the wedding, I’m hoping you’ll get back to normal!’ ”

Photo: Mario Testino for Vogue

Photo: Mario Testino for Vogue

Kate's daughter as the Saffy to Kate's Edina (we love a little Ab Fab ref):

Lila Grace is very much in control as she corrals the other children and then executes some dance moves to entertain them (she has a ballet performance on the weekend). Her mother’s friends laughingly compare her to Absolutely Fabulous’s Saffy, the studious, long-suffering daughter to Kate’s giddy Edina. “Mummy, are you stressed?” she asks solicitously at one point.

Galliano on making Kate's wedding dress:

“She dared me to be John Galliano again,” the designer tells me. “I couldn’t pick up a pencil. It’s been my creative rehab.”

Galliano's "direction" for Kate before she walked down the aisle:

Just before she sets off, Kate requests “a few words, a story to inspire her—she loves a bit of direction!” says Galliano. “I told her, ‘You have a secret—you are the last of the English roses—and when he lifts your veil he’s going to see your wanton past!’ ”

Guess who caught the bouquet?

Photographer Marcus Piggott catches Kate’s bouquet.