Christian Dior

“The hardest thing to realize in fashion is that the future lies in the past. The second hardest thing is to forget the past. That precise turn of mind is what Raf Simons showed in his first collection for Dior, the high point of the fall haute couture shows. In almost every one of the 54 outfits, in the purposeful use of craft, Mr. Simons made a link to the modernity and energy that Christian Dior brought to fashion right after World War II. Those themes included sculptural lines, ravishing color, a preference for pockets, a sense of chic femininity but also ease. Mr. Simons then put those ideas through his own filter. The collection was beautiful, modest and thoroughly engaging.” —Cathy Horyn, The New York Times
“The collection was not only beautiful but the work of an already-established fashion star imposing his own brilliant aesthetic upon an iconic legacy without a trace of intimidation. This allows Dior to move on finally and definitively from one magical chapter in its history — and at their height, the Galliano years were magical — with every indication of another commencing. Bravo, Raf. Congratulations, Dior.” —Bridget Foley, WWD
Buzz Words:
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