Meadham Kirchhoff
Designers: Edward Meadham and Ben Kirchhoff

• “There was no dancing at Meadham Kirchoff this season, or party or music, or glitter for that matter. Instead, a beautiful, and at times rather grown-up, collection was shown to a sombre, violin-stringed soundtrack.” [The Daily Telegraph]
• “Of course, Meadham Kirchhoff always do real clothes, it’s just that sometimes they can be hard to spot. Not so this season.” [ELLEuk.com]
• “As a series of beautifully sombre looks took to the catwalk, you couldn’t help getting swept away in the moment.” [Grazia Daily]
• “In the austere concrete drama of The Tanks at Tate Modern, the epic journey of Edward Meadham and Benjamin Kirchhoff continues apace… my lady is Blanch Du Bois with a touch of Death In Venice.” [i-D Online]
• “There was a sexual twist to the outfits, with French maid collars and a sense that something strange was going on behind veiled heads.” [International Herald Tribune]
• “[A] transporting, neo-Victoriana show.” [NOWFASHION]
• “This collection was easier to translate than previous shows and will have a real life off the catwalk and out of the story book.” [SHOWstudio]
• “This season, in other words, Meadham Kirchhoff slammed the door on its brand’s brief jubilant era.” [Style.com]
• “The lack of ambient distraction and high concept gave the audience a chance to drink in the outstanding beauty of Meadham Kirchhoff’s individual pieces.” [Vogue.com]
• “It was a journey through history in only the way this duo, Edward Meadham and Benjamin Kirchhoff, can and do.” [Vogue.com UK]
• “While it had a sinister edge, it was one of the best outings so far from Edward Meadham and Benjamin Kirchhoff.” [WWD]