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The 5 Most Buzzed About Shows From Day 3 of London Fashion Week



L’Wren Scott
Designer: L’Wren Scott

  • “Vegas sparkle with a New York sensibility.” [The Cut/New York Magazine]
  • “These are classic, tailored outfits with a touch of vamp.” [The Daily Telegraph]
  • “On the menu: shepherd’s pie. On the models: 23-carat gilded shoes and tattoos, as well as curve-hugging gold-accented sheaths and skirts and gowns.” [FT.com]
  • “Scott introduced the British fashion industry to the concept of the shlunch: a show at which lunch is served. (Brunch? So last year.)” [The Guardian]
  • “Known as an architect of clean lines, rather than fancy adornment, this first L’Wren show in London caught the upbeat spirit of her partner Mick Jagger’s city. (He was front row.)” [International Herald Tribune]
  • “Shortly before guests arrived for L’Wren Scott’s dinner on Sunday evening at Café Royal, Nicole Kidman appeared at a London screening of her new film ‘Stoker’ in the designer’s cobalt wool dress with a gold collar, the same look shown that afternoon on Ms. Scott’s runway. … The rest of Ms. Scott’s collection displayed a sure-footed sense of what gets attention.” [On The Runway/The New York Times]
  • “Even though L’Wren Scott knew what her clothes looked like when she booked the grand hall of the Institute of Engineers for her show venue, the symbiosis of location and collection was one of those perfect synchronicities where the whole added up to much more than the sum of its parts.” [Style.com]
  • “The gilding of the L’Wren lily worked out stunningly in her more special pieces. There was a sensational pailletted shimmy dress in three shades of gold, scalloped edging in black, suspended on nude tulle.” [Vogue.com]
  • “It was disco, it was Seventies and it was rock ‘n’ roll all in one–her woman has the Midas touch and glitters in gold.” [Vogue.com UK]
  • “A designer seeking opulence, color and texture could find no better confluence of references than Gustav Klimt and his patron Adele Bloch-Bauer, whose gilded portrait he famously painted twice. L’Wren Scott spun the work of artist and client into gold, quite literally.” [WWD]


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