Lauren Sherman

Posts by Lauren Sherman

  • 02 Sep 2010 at 9:59 AM
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It’s Official: Lanvin Hearts H&M

We received word this morning from H&M that Lanvin designers Alber Elbaz (womenswear) and Lucas Ossendrijver (menswear) are indeed creating a capsule collection for H&M.

The line will launch in North America on November 20 and the rest of the world on November 23. (November 20 is the day after Black Friday, which means H&M is sure to be doubly crazy that weekend.) Looks will be revealed in a film debuting on hm.com November 2, just a few weeks before they hit stores.

Until then, we’ll be dreaming of draped, 1940s-inspired dresses in juicy, fresh colors. Au revoir for now….

Related:
Lanvin for H&M? Yes, Please!
H&M Throws Sonia Rykiel A Parade

We’ve got a major announcement. In the run-up to her New York Fashion Week presentation, Victoria Beckham is tweeting under the handle @vbfashionweek. (If you think you’re following Beckham under another moniker–you’re not. This is the official VB account.) She plans to dish everything that’s going on behind the scenes in preparation for the September 12 show. Her first tweet reads:

Finally!! Leaving for UK tomorrow “Airport is my runway!!!” Can’t wait for fashion week! In love and light x VB

We hope that the tweets are as hilarious as Robert Duffy’s, who mans the @marcjacobsinternational account around fashion week.

We also hope that the pop star-turned-serious-designer offers up some choice quotes for us to pilfer from. We were huge fans of Beckham’s quips on her short-lived 2007 reality series which, while only a couple of episodes, was our favorite thing on television that summer.

Related:

Fashion’s Most Influential Twitterers
Dress it Like Beckham

Chris,

Your girls are so colorful. Will you ever do a black and white only collection?

Dear Rainbowphobe,

True story, I do love color. Still, every once in awhile I start out with the idea of doing a collection only in black and white (like Pleasantville, I suppose). But of course color always seems to creep in, and ultimately enriches the direction and palette of the entire collection. With that said, recently we have been doing a lot more black and white than seasons past, which feels very modern to me. There’s something very good about cleansing the palette with a pure black look or a good, stark white.

I always think a nice way to work color into your wardrobe is to limit everything else that your wearing to neutrals. Give a touch of color with a bright belt on a purely khaki look or a weird color shoe with a white teeshirt and denim. Don’t be afraid of color think of your closet like a mood ring and match (or change) some colors to highlight your temperament everyday!

xx
CB


Got a question for Chris? Email him on askchrisbenz@fashionista.com.

Sneak Peek: Duckie Brown Spring 2011

“Let’s put you in a ridiculous outfit,” Steven “Duckie” Cox, one half of Menswear label Duckie Brown, joked with their model.

Ridiculous? Judge for yourself.

With Fashion Week only a few weeks away, Cox and partner Daniel Silver were previewing their spring collection, presented in collaboration with American Crew artistic director Paul Wilson to a small group of reporters at their Meatpacking studio.

The inspiration for the collection was “everything but the kitchen sink,” and the clothes live up to the name: Different materials, prints, patterns and colors define each piece. With this maximalist outlook, Duckie Brown has more than waved adieu to the austerity of 2009; they’ve killed it, buried it, and put a technicolor nail in the coffin for good measure.

The veritable explosion of textures and color synthesizes the unusual combination of lightweight wools and linens. Their friend Eileen Gleeson at Design Union in the UK has helped them develop insect-patterned prints as well as some brightly colored camos, and plaids.

The word “eclectic” does not do it justice. They wanted “intuitive dressing,” says Silver, “stuff that traditionally doesn’t go together, but when you wear it the right way it does.”

Their signature drop-crotch pants are still a feature, both in suit-grey and Kermit-green., The numbers you’ll find on the rack at Odin next spring include a fitted, dark Italian demin jacket, a leopard-print nylon bomber, a bug-print cargo short, and fitted plaid shirts.

“Boys love plaid and we love to give it to them” says Cox.

“I actually never wear plaid,” piped up a VICE magazine staffer, also in attendance for the preview.

Cox, who was showing me their shoes for spring—pastel oxfords and idlers from designs found in Florsheim’s archive—gave his outfit a quick look and smiled:

“That shirt is plaid.”

Then he turned back to his clothes.

Related:

Duckie Brown: Subdued, Sensible, Stunning at Fashion Week
Thoughts on Duckie Brown

Read more »

FashionStake, the new startup that lets you invest in your favorite emerging designers, wants to send 25 Fashionista readers to New York Fashion Week.

Here’s how to enter: visit Fashionstake.com, support a designer through an investment or a pre-order, and tweet that you used @fashionstake. You’ll win a pair of tickets to one of STYLE360′s runway shows, which this year include Walter and Kim Kardashian for bebe. See the full schedule here.

And good luck!

FashionStake Launches Today

Think you’ve got a buyer’s eye? FashionStake, a new e-commerce/micro-finance site launching today, wants to give you the opportunity to make runway looks a reality.

It’s a complicated premise, but its founders, two recent Harvard Business School graduates, believe it’ll work. Co-founders Vivian Weng and Daniel Gulati want to create a place both emerging and established designers can raise funds to produce new collections, and also a place to sell those collections. Users can either put in an initial investment, put in a pre-order for the soon-to-be designed collection, or wait until the collection is available to buy something. The goal is to spread the word about designers who mightn’t have otherwise been able to spread it.

And this New York Fashion Week, designers like Nicholas K will send pieces specifically designed for FashionStake down the runway. Consumers will be able to visit the site after the show and pre-order those pieces.

Still a bit confused? I recently chatted with Weng about FashionStake’s launch, its involvement in New York Fashion Week, and how it plans to make money. Hopefully she’ll be able to clear things up:

Fashionista: What’s the premise of FashionStake?
Vivian Weng: Myself and a classmate of mine from Harvard Business School are the founders. When we were still in school, we noticed that fashion was changing. Designers began streaming shows and offering pre-orders hours after the runway show. We had experience in crowdfunding/crowdsourcing. And we wanted to create a company that would democratize fashion. Remove the gatekeeper, if you will.

What are your backgrounds?
Mine is in finance–I worked at Goldman Sachs. On the side I was also working with a couple of designers. I helped Jeffrey Monteiro through the fundraising process when he decided to launched his own line at the beginning of 2008. He was pre-sold into Barneys and some other great retailers, but it was still quite a struggle to raise the funds. It was a huge learning experience. I realized that there must be tons of both emerging and established designers who have trouble.

Daniel’s is on the start-up side–luxury goods and apparel. Prior to school he was a consultant, and he was also the art director of Erbario Toscano, a luxury bath and body products company.

So forgive me, but there are a lot of moving parts to this. Can you pare it down for me in layman’s terms?
Every designer on FashionStake has a fundraising target–the amount of money it will cost to produce a collection made specifically for our e-commerce site. Consumers have one of three choices: They can pre-order, buy a stake in the collection, or buy the VIP package. In the case of Nicholas K, they want to raise $50,000. Capital will continue to be contributed until they hit that $50,000, which then gets deployed, the designers go and produce the collection. But during the fundraising process, users can pre-order certain styles, or suggest other styles that they might like. That way we can set a preliminary buy [which means number of units per style to be produced].

Once the collection is produced we start to sell it in our online store. We can’t give our investors cash due to legal reasons, so instead they get store credit. [They're estimating investors will get a maximum 150% return on a $50 investment.] If the money isn’t raised, nobody’s credit card gets charged.

Will the e-commerce site only be open to members?

No, it’s completely open. What differentiates us on that front from flash sale sites is that it’s not a private sale. We really want to open up the industry to everyone.

But the collection sold on your site won’t be available anywhere else?

No, it’s designed exclusively for us.

Well then how many units are you planning on buying? Designers have to produce a decent amount of units for a manufacturer to agree to it.

It depend on the designer, but we’re estimating orders will be 500 to a 1,000 units. We’d like to produce for widespread distribution in the future, but right now this is the approach.

What’s your end goal here? Obviously you’ll be able to make money on the sales, but with units so small, it won’t be much at first, will it?
We’re absolutely planning to grow. When Gilt Groupe started they were doing one sale a day with units that were pretty comparable to ours. As we bring in more and more designers, we’re definitely interested in working with department stores, etc. to increase distribution. But right now we’re just testing the concept.

Okay, and finally, I’ve got ask. You’ve obviously done a lot of market research, but do you really think people are going to want to do this? It seems like too much work to me, especially when you can’t get cash back on your investment.
We actually found that people were really excited about the chance to invest. Every girl in our target market things she has the eye to pick the right piece. Do consumers have the confidence to pick the right designers? They seem to. But that’s why we have different roles–If you don’t want to wear the investor hat, you can just pre-order. We don’t want you to gamble with your $50.

Will you try your hand at FashionStake? I’d love to hear your thoughts.

Related:
Lauren Santo Domingo’s Online Trunk Show Startup Has Already Raised $1.15 million
ideeli’s Brand Director Explains What It’s Like to Be One of the First ‘Fashion People’ To Embrace the Internet
HauteLook’s Carlota Espinosa Talks Shop

  • 01 Sep 2010 at 8:53 AM
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  • News

Lanvin for H&M? Yes, Please!

The word in Paris is that Lanvin might be the next H&M collaborator. If it is indeed true, the collection will hit stores in early November.

I must rejoice! I’ve been a bit disappointed by the H&M collaborations over the past few seasons. An Alber collection should be a return to the Stella McCartney and Karl Lagerfeld days of yore.

What’s more, Lanvin is not one of those brands where one can find an “affordable” piece here or there. Even the Acne x Lanvin dresses were $800 or more–I was lucky enough to find one at the Barneys warehouse sale for $40 about a year ago. I think I’ll wear it today in honor of this wonderful news.

I’m hoping for something like the look featured here to show up in the collection. Which Lanvin silhouette would you like to get your hands on? Read more »

Read more »

Fashion Week for Foodies: A Guide

So, despite what you’ve seen and heard, fashion people loooovvve to eat. And they love to eat really, really good food.

In fact, the Fashionista staff knows food just about as well as we know fashion. But there’s not much time to dig-in during New York Fashion Week. So we’ve rounded up our favorite spots, events, and parties that might end up being more about the food than the scene. And maybe even the clothes.

Bird‘s Fashion’s Night Out event takes the cake though (and we do hope there will be cake). Owner Jen Mankins has some serious foodie clout in addition to her discerning fashion eye. After the jump, she dishes on she how she wrangled the Brooklyn foodie elite and her favorite meals at Frankie’s and Prime Meats.

Back in the day, designers would visit each stockist, each season and present the latest collection to the shop’s salespeople. Some designers, like Michael Kors, still take this approach.

But it has mostly fallen by the wayside. Not so at Chris Benz, where the man himself and his vice president of sales, Kelly Stinnett, spent a good chunk of the summer trekking across the US to get salespeople at boutiques and department stores excited about the Fall 2010 collection.

Benz and Stinnett were also promoting their special capsule collection with Saks Fifth Avenue, which launched at the beginning of August. The duo presented each collection to the Saks sales teams from Phoenix to New York.

Now that they’re back, I “sat down with” (aka “emailed with” because we’re all too busy to meet up) Chris to discuss why this approach is so important to the success of a brand, big or small.

So, you’re doing this collection with Saks. Explain the motivation behind it!
Chris Benz: Our exclusive dresses collection was the brainchild of our Saks New York team, and was conceived as an opportunity for the Chris Benz brand to become a more far-reaching collection within the Saks Fifth Avenue family. We wanted to create styles rooted in historically successful bodies, all while maintaining the casual, American, and modern spirit of the collection. The styles highlight the ideals of our collection: color, ease, comfort, and carefree glamor, all at an attainable price point within the designer market.

You’ve been traveling from store to store and presenting the collection to employees. Didn’t designers used to do these run-throughs much more often in the past? They seem really beneficial. Do you think your sell-through is better because of it?
Spending time in stores, educating the sales staff, and making personal, earnest connections with customers is a huge part of our business. It’s absolutely tied to selling clothes, which at the end of the day is the goal for everyone involved in the fashion industry. For me, it makes all of our hard work worthwhile to convince a woman to try on something unexpected–an unusual color, proportion, or combination–and to see her light up when she realizes she looks beautiful.

It seems like you guys really have fun meeting with salespeople and customers. What are the advantages when it comes to creating the next collection? Do you use their feedback?
I am obsessed with meeting the salespeople and customers. It’s important to me to present them with as much of the emotion and detail that our team puts into designing and producing the clothes, so that they have as much personal connection to the product as possible. In a very real way, the salespeople are an extension of our team, and I believe that they should be treated as such. I insist that they try on the product, feel the fabrics, understand the construction and finishing, and comprehend the message of each garment.

And a random one: your clothes are so great because they’re ageless. Are your “average customers” totally different in each city? Would love to know who typically wears your clothes in Chicago v LA v Phoenix!

We have taken a lot of care to encourage a range of age and lifestyle in our customer. Although the Chicago woman might be an attorney or television producer, and our LA woman who may be an actress or realtor, they all have the same sort of spirit. They are carefree, excited by color and comfort, and outgoing. The synergy between the attitude of the Chris Benz collection and the temperament of its customer is very strong. In this way, there are Chris Benz women all over the world, and by getting into the stores we are discovering and building relationships with all of them while building a foundation for the future of our collection.

Related:
Chris Benz: Relationships are the Key to a Successful Career in Fashion
Introducing Our New Columnist: Chris Benz!
Chris Benz Makes Tulle Look Like Tweed, and It’s Magical