December’s British Vogue is a treasure chest of goodies, from the how-to on glitter to Lara looking very un-Lara-like in ballgowns and a stunning Doutzen editorial.
But the one article that really caught my eye was a beautifully written collection of stories by some perfectly appointed contributors. “The Seven Wonders of Fashion” is an examination of pieces that are just so incredible that they endure the test of time. (There are some seriously great collages of fashion images over the years, too.)
Charlotte Rampling starts it all off with the tuxedo, an item of clothing she declares “empowering” and statement making. Amanda Harlech muses on the ballgown, the dress of every girl’s dreams, while Alison Goldfrapp informs us of the power of the hat, praising milliners as artists and hats as sculptures.
See all the images and continue reading…
I have to admit, my fall/winter wardrobe is looking pretty drab. I’ve been trying to find a way to brighten up my monochrome closet, preferably with one or two pieces that really make a statement.
That said, over the last few weeks I’ve noticed an emerging trend that’s perfect for what I am searching for, though I find it a bit perplexing. Vivid Navajo and tribal prints seem to be popping up everywhere, but I can’t figure out which is the way to wear it best.
Opening Ceremony is carrying a selection of wool, Navajo print items in unexpected shapes that make them look fresh. I love how the mini-skirt is styled with simple black tights and boots, allowing the color to really pop.
See all the images and continue reading…
We at Fashionista are having yet another debate this afternoon. This time, a back and forth over the July cover of British Vogue, which features a heavily made up Julianne Moore. Shot by Alasdair McLellan, the coverline calls Moore “the most glamorous grown-up on screen.”
We all like Julianne (some of us more than others), and we’ve always loved that she’s so fresh-faced - with her beautiful pale skin, freckles and red hair all complementing each other. The “glamorous” make-up used for the Vogue shoot is too heavy for my taste and, dare I say it, verging on Norma Desmond territory. To me, she looks way older than she is.
Both Hollywood and the fashion industry are youth crazy, so it is great to see a beautiful woman over 40 holding her own and still scoring covers. But no one wants to look ten years older than their real age, right? Especially if they biggest line on the cover is “Ageless Style”
Abby, apparently the voice of dissent in the office today, thinks she looks gorgeous. Though she admits to being biased on all matters related to Julianne Moore.
What do you think?
—AMANDA JEAN BOYLE