Every fashion week, we look for new and exciting trends from the runways to guide us into the next season. This year is no different: We’ve seen monochrome prints, crazy (like really crazy) hats, several Jenna Lyons dopps, and now…hands?
Couldn’t make it to Milan to catch Gucci’s spring show? Us neither. Luckily we’re bringing it to you live through the magic of the internets. Tune in tomorrow at 9 a.m. EST when we’ll be live streaming the Gucci show (which should include Frida Giannini’s a stellar model line-up, wink).
The term “American sportswear” is being taken quite literally this week with many designers churning out collections that are, well, sporty. The clothes not only channel the sporty lifestyle, but the gear as well, which is why mesh is having a moment. Alexander Wang‘s first five exits were completely covered in it. Meanwhile, the fabric hasn’t been limited to just clothing. Those sleek ponytails at Donna Karan? Wrapped in mesh, of course.
A fashion magazine cover is a highly covetable place for any designer look. Each season a select few looks are deemed worthy by editors and become repeat offenders. Last season, a sequined gold Balmain dress sparkled from the front of at least seven covers while Miu Miu put in its best effort to become the fall 2010 cover star. Both brands set the bar sky high, daring any new dress to beat them. The spring 2011 collections showed up for the challenge.
This season is drawing to a close and while the cover wars still rage on, we’ve narrowed down the top five most popular cover looks. Click through the see what made the cut.
PARIS–Maybe Isabel Marant was inspired by the Pendleton-clad, 80s-cropped-leather-jacket-wearing Brooklyn girls who lust over her clothes this season. Because for fall 2011, Marant is all about the American Southwest.
She sent out distressed Navajo print sweaters, patchwork denim work shirts with shearling-lined collars, fringed white leather tunic-style mini dresses and short-sleeved cuffed sweatshirt tops done in a brown feather print. And all of it was paired with thigh-high fringed white leather boots. There were uber-mini sparkly dresses, carried over from last season (which is good because I still want one) and loads of luxe white shearling and thick knits to close the show.
So will Isabel Marant keep Brooklyn girls in feathers and fringe, in Navajo prints and oversized cropped jackets?
Silk button downs. Vintage belts. And short-sleeved army jackets. These are the pieces we want for spring, and sure enough Madewell is offering them up in an irresistible fashion.
“We [topped the skirts] with jackets so it all looked easier,” the brand’s creative director, Kin Ying Lee, told me at this morning’s presentation. The vacation-inspired tees–remnants of those 1970s “Virginia is for Lovers” souvenirs–also made the soft, pretty florals and silks look less precious. Several of the belts used to tie the outfits together were vintage, and will be available in select Madewell stores.
It’s hard not to love Rachel Antonoff. From her playful presentations to her adorable clothes, Rachel Antonoff brings a unique joy to the fashion scene. That’s why I was overjoyed when, at Rachel’s SS11 presentation, I heard she was collaborating with Bass, maker of my loyal and trusted loafers.
Models wore a selection of the styles at the presentation, but now we’ve got the entire lookbook, and it’s a stunner. From high-top boat shoes to floral oxfords, the Bass Hearts Rachel Antonoff collaboration has something for everyone. The Alice perforated oxford complete with a bow are my favorites, but it’s a close call with the
Click through to see the whole Bass Hearts Rachel Antonoff lookbook and pick your favorite pair.
J.Crew rarely fails to delight us, and their women’s collection for Spring 2011 is no different.
Creative director/president Jenna Lyons and women’s lead designer Marissa Webb imagined a look that was decidedly spring–lots of short suits, nautical sweaters, and chambray–but also decidedly cool. There was much more of a tomboy feel to this collection than I’m used to from J.Crew, and that’s a good thing. And it seems that they also used Nars Heat Wave lipstick on the models–one of my favorites. J’adore.
Click through to view the complete collection.
A game some of my fashion friends and I like to play is “What Happened to American Apparel?”
That symbol of the aughts’ stock is currently trading at just over one dollar, one fifteenth of its 2007 high. And there are a number of reasons why: poor management, spotty trend spotting, over-expansion, lack of investor confidence. Another reason is J. Crew.
American Apparel presented a unique challenge to the market, and while Gap kept making the same old crap and used the same old advertising, J.Crew took a different route and went up-market. It started looking for a more sophisticated customer, constructing tailored, comfortable menswear that didn’t look or feel like each item was just one of hundreds of thousands that had come off the line.
Stepping into Brood’s Spring 2011 presentation was like stepping into an elite club where only the fashion industries heavy-hitters were welcome. Sally Singer, Vera Wang, Zac Posen, and Mario Grauso were all in attendance.
Honestly, nothing less should have been expected. After all, Brood is is the brainchild of Serkan Sarier, a graduate from the Royal Academy of Fine Arts in Antwerp–one of the most prestigious fashion schools in the world. Some notable grads of the Royal Academy include Ann Demeulemeester, Dries Van Noten, and Martin Margiela, so you can imagine what editors expect from an Antwerp scholar.
Last week, we stopped by the Decades Denim showroom to meet Cameron Silver and see how his collection had evolved since last season’s launch. Holiday 2010 and Spring 2011 were both on display, allowing us to witness the line’s progression from a few basic denim pieces to a nearly full-fledged collection.
Some vintage inspiration is to be expected from the owner of an L.A. vintage mecca and, naturally, Cameron chose the denim-crazed seventies. The influence is subtle in both collections. Holiday pant styles include basics like a pocketless skinny jean, a straight leg, a boot cut, and a jean legging. There are also more frivolous options like a cropped cigarette jean, a jodpur-seam jean legging and a really great-looking cropped cargo jean. There were also a few dressier options like a trouser, a velvet skinny jean and my favorite, a tuxedo pant with a rounded hem that is a bit shorter in the front to reveal a great pair of shoes. The washes available include indigo, light blue, white, black and my favorite, Ox Blood, a deep bordeaux red. Every pair is clean and timeless–devoid of distressing and obnoxious logos. It all has the kind of dressed-down glamor that L.A. is known for, but also definitely has a place in a New Yorker’s wardrobe.
