
Yes, most people watched the Super Bowl last night. And so did we, if only to see the David Beckham for H&M commercial on a bigger screen (mesmerizing) and Madonna’s performace (lots of Givenchy). But after half time, we switched over to CBS to watch Morley Safer interview Anna Wintour on 60 Minutes. After all, she’s fashion’s MVP/QB, right?
Wintour was one of “Three Remarkable Women” featured in last night’s edition (Dolly Parton and Meryl Streep were the other two), and she handled herself admirably against Safer’s sometimes obnoxious line of questioning. Read more »

Marc Jacobs recently was quoted as saying that his stint as a cartoon character on South Park was “the greatest honor of his entire life.” If Karl Lagerfeld was cartoon-ized in a similar way, would his reaction be the same? We actually think he would like it, since he’s pretty much done it to himself already on things like Diet Coke cans and eye shadow. Read more »

Herb Ritts, the fashion photographer who rose to fame in the 80s and 90s, was known for his work in black and white, and for making humans look like classic sculpture. He became more popular in pop culture circles after he famously shot videos for Madonna (“Cherish,” one of the best videos ever), Janet Jackson, and Michael Jackson. NOWNESS has some newly-revealed and never-before-seen shots from the photographer, who died in 2002. They feature a young Naomi Campbell, Cindy Crawford, Johnny Depp, David Bowie and Karl Lagerfeld (when he still had dark hair). NOWNESS also chatted with some notables (like Anna Wintour) who knew Ritts back in the day. Here’s what a few of them said about him: Read more »
We didn’t quite make it to our TV in time on Sunday morning to catch Anna Wintour on CBS’ Sunday Morning, but that’s why the internet exists, right? We checked out the 8-minute long profile, which was more a look back at Vogue and its covers than a meaty interview with its EIC. But it is definitely worth a watch. Besides the nostalgia and fashion history lesson (and the fact that the adorable Hamish Bowles walks Serena Altschul through the covers and digital archive), there’s some hope that people who don’t have $1,500 to blow on yearly access will get a chance to have a peep at that intriguing archive. Read more »