In advance of Comme des Garcons‘ Rei Kawakubo receiving the CFDA’s International Award this Monday (she’ll accept the award in absentia), Cathy Horyn’s written a great, justifiably hagiographic profile about the reclusive and enigmatic designer in today’s New York Times. “No living designer with the exception of Azzedine Alaïa is held in higher esteem by her peers, and none has enriched our spirit in so many original and confounding ways,” she writes. That’s high praise from Cathy Horyn. Also, true.
Kawakubo has a cult following–for evidence see this charming Style.com piece about Comme devotees. And remember when Tavi Gevinson famously rapped about her?
Horyn really gets to the core of why Kawakubo has garnered this cult following and why she is so compelling. “If Karl Lagerfeld is the leading talk artist of fashion, Ms. Kawakubo is the Mona Lisa,” she writes. “She makes no effort to reveal her meanings, though at times she explains her methods.” She asked her about her design method and reprinted her lengthy emailed answer in full because, “[i]t says everything, and it could not be said better.” Here it is (and for everyone who thought her last collection was about flat fashion in the Internet age, you thought wrong):
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