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Dear Chris,

Right now, you only design for women. I’m a guy, but I love your aesthetic. How do you dress? Who are your favorite designers? Inquiring minds want to know!

Thank you

Dear Guy -

Thanks for the compliment!

I am usually exhausted by the time I have to think about my own clothes, so I tend to dress simply/haphazard. My go-to is a navy blue blazer, because it’s completely classic and looks perfect with everything. I think men should really restrict themselves to wearing a white shirt, navy blazer, and Levis 501s with a Converse Chuck Taylor, and call it a day. That is–until there is CB menswear, and then they should wear mustard pleat-front shorts, chiffon tuxedo shirts, sequined blazers, and loads of friendship bracelets, natch!

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Every summer New York’s Governors Island hosts a couple Jazz Age lawn parties, where orchestras play and people dance, dressed to the nines in 1920s-inspired garb.

(Sometimes, it’s actual vintage from that era. See this image from 2008′s celebration, courtesy of the Sart, for proof.)

Several Fashionista contributors are planning on heading out to the other island this weekend, so we decided to round up our favorite Jazz Age-inspired pieces. These are fun to wear regardless of the occasion.

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Jenna Lyons was named president of J.Crew yesterday. The news arrives after several consecutive raises and bonuses for the creative director. Want to get where Jenna is someday? Here are five key components of her success.

1. A Great Mentor
What can we say? Mickey Drexler is a retailing genius. He recognized Jenna’s talent in 2003 and helped her to design not only for her customer, but herself. The reason J.Crew works so well is because the designers actually wear and like the clothes that they design. Not so with plenty of other high street brands.

2. Consistency. Jenna’s been working at J.Crew since the early nineties, and while we’re sure she’s had plenty of offers to work for other designers and retailers, she’s stuck around, slowly moving up the ranks. Now, I’m not advocating sticking with a dead-end job, but it does feel like people tend to hop scotch from company-to-company without really considering the consequences these days. In the past, my mentors have said to me, “Don’t leave a job until you’ve stopped learning.” Just think how different high street fashion would be if Jenna had left J.Crew four or five years out of school.

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About a week ago, I received a package in the mail from Gap, stuffed with two of the brand’s new t-shirts. The “Perfect T” collection, which launched July 1, includes tri-blend knits, micro modal tanks, and a soft, relaxed burnout fabric. Most styles are just $19.50.

Of course it’s nice to receive a gift, but more than that, I was intrigued by the feel of the shirts. They felt, well, expensive.

Which leads me to my point. Thank you, The Row. Thank you, James Perse. But above all, thank you, Michael Stars–the original “I can’t believe these t-shirts are that expensive” brand–for raising the quality bar in the t-shirt category.

Now, don’t misunderstand my gratitude. I would never, ever spend more than $50 on a tee. (Yes, I know that’s still kind of expensive, but if it’s a silk blend I can excuse it.) But I am glad that these brands exist. Why? Because it pushes less pricey labels to create better product at a lower price. Do you remember what t-shirts used to feel like? They were thick, took years to soften, and often became a funny shape after a wash or two.

Why the change? Consider a brand like James Perse.

I’m not going to go crazy at James Perse every time I walk in, but I have spent money when there’s been a good sale. My reasoning: Why would I spend a few dollars less at a specialty retailer if I can get higher quality on sale? Suddenly, the Gaps and J.Crews and even Old Navys of the world are not only competing with each other, they’re competing with LNA, Kain, and Splendid as well.

So we must thank those ridiculous brands for offering up $500 t-shirts. We might not be buying them, but they’ve improved the quality of t-shirts we do buy. Here are a few of Fashionista’s favorite tees for midsummer.

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Another question the Fashionista team is often asked, mostly by design students: “What does it take to launch my own label?”

Well, it takes a lot of hard work, talent, and yes…money.

The big problem: There aren’t a ton of investors willing to put down cash on a new designer. As one serial investor once explained to me, “Fashion is a risky business. But it’s not as sexy as film. Sometimes, people are lured by the glamor, but in general, the return on investment is so unlikely, most aren’t willing to take the risk.” In the movies, on the other hand, investors will still probably get to hang out with the star–even if the film doesn’t make any real bank.

So what’s a young designer to do? Working for a bigger label is always an option. Adam Lippes worked at Polo Ralph Lauren for years before launching his own label. Chris Benz worked at J.Crew. Richard Chai worked at Marc Jacobs and Donna Karan.

Loans from friends and family always help, but we understand that’s not viable for most.

Another way to do it? Get one of the few investors who do spend money on younger brands to notice you. Now, we’re not advocating knocking down these people’s doors. And you’re probably going to have to come up with your own money to establish the company initially. But doing good work and networking should get you closer to your goal. Here are 10 companies/people known for investing in younger brands.

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Which came first Daria or the necklace?: YSL’s Fall 2010 campaign was just released. Stefano Pilati seems to have styled Daria after the necklace she’s wearing at the Hôtel de Clermont-Tonnerre. {YSL}

I am a plastic bag:
The celebrity-beloved Balenciaga Motorcycle bag has been knocked off for ages (we may have had one in high school). But now, this Japanese company is producing a plastic version in neon colors with weird bobbles, covered in drawings of Karl Lagerfeld, birds and Vogue logos. Will this be 2010′s version of those jelly Hermes knock-offs from 10 years ago? {Nylon}

Kate Moss for Isabel Marant:
A first look at Isabel Marant’s Fall 2010 campaign featuring the one and only…{Fashion Gone Rogue}

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I’m a sucker for a good weekender bag. There are so many excellent ones out there–from the preppy to the minimalist to the, dare I say, directional. (As directional as a weekender can get.)

Given that it’s a holiday weekend, I’m assuming plenty of you are heading off to a family barbecue, a country cabin, or most likely, the beach. Maybe a combination of all three. I, for one, am writing this on a plane to Chicago. (Yes, American Airlines has Wi-Fi at every altitude!)

One thing’s for sure: Whether you want to spend $10 or $10,000, no one should be without a sturdy, good-looking weekender. Now, for some options:

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I was cringing a little bit when Lauren’s rant last week about girly design. I love anything pink.

Right now I’m typing on a Macbook covered in a hot pink shell, have a Blackberry with a fuchsia skin, and am reading from notes in my watermelon hued journal. Mind you, I don’t dress in pink from head to toe, but I have quite a bit of pink in my closet. Not sweet pink. Loud pink. Is it only for tweens?

Well, I’m the most, um, mature writer at Fashionista. I mean age, not experience and wisdom. So I’m either regressing or empowered. I’m not really sure. Just in time for the height of summer, here are my favorite pink things. Please, use them sparingly.

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Getting married is really fun!

I know it’s stressful for a lot of brides, but I’m lucky. My parents/fiance’s parents are totally hands-off when it comes to planning, and I’ve nailed down so many specifics already that as of late, my main focus has been The Dress.

I’m 99% percent sure I’m going to go custom, but I thought it would still be smart to check out J.Crew‘s new wedding boutique on Madison Ave.

I brought along my friend Ali, who is also getting married next year, and who also happens to be obsessed with J.Crew, to try on dresses as well.

I’m so glad I did–Not only did we learn a lot about this sector of the brand, but we also modeled some incredible dresses, as well as gobs of stunning accessories.

First, I was greeted by Kate M., my personal sales associate for the appointment. (She was accompanied by the lovely Candy.) These girls were amazing. They were so excited about everything, from the La Perla robes in the changing rooms to the array of sashes to the shoes. Their enthusiasm was infectious. But more on that later.

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Good Lourdes: According to Madonna, her 13-year-old daughter Lourdes designed most of her upcoming collection for Macy’s. We wonder how someone born in the ’90s knows exactly how people dressed in the ’80s…. {InStyle}

Family or Furstenberg?: Victoria Beckham on canceling her holiday plans to party with Diane Von Furstenberg: “I don’t think there is anyone else in the industry for whom I’d change my holiday flights!” {Vogue UK}

The Book of Gaga: Lady Gaga: Critical Mass Fashion, Lizzy Goodman’s fashion-centric biography of the pop star includes an index of Gaga’s favorite designers as well as observations like “Lady Gaga likes to get naked.” {Elle.com}

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For some reason whenever we think of chambray that Naughty By Nature song gets stuck in our head.

No matter.

The point is that chambray is big this summer and we’re happy about it. The chambray work shirt is classic 1930s Americana. It’s sexy and rugged and a staple for the season. And while there’s no messing with a basic like the two-pocket button down, we’re happy to see this lightweight cotton or linen fabric cropping up in different styles.

Click through for the best in chambray (and lightweight denim) for summer.

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The long skirt (and dress) comeback is steadily gaining momentum. Whether it’s a backlash against the plateauing popularity of minis, or just another ‘90s trend revival, we’re kind of digging this look. And, given its prevalence on the Fall ’10 runways and even Resort, this trend isn’t dying down anytime soon. But we wondered: Can everyone pull it off?

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