“Delicate” and “exquisite” are two adjectives that often find themselves in the same sentence as “Jason Wu’s designs.” Let’s add “opulent” to describe his A/W 2011 collection, which featured no less than 15 different kinds of lace, gilding, Swarovski crystals, and models with gold leaf painted onto their hair.

We're spending the week skulking around backstage at some of the hottest (and coolest) shows at New York fashion week to bring you the best beauty looks, new products, and gossipy tidbits that we pick up in our travels. So click through to check out the beauty backstage at Jason Wu, Rag and Bone, Rebecca Minkoff and tons more.

Jason Wu likes a little bit of juxtaposition in his collections, mixing chic glamor with very subtle elements of subversion. This season it’s a print collaboration with a street artist, mixed with peplum and haute couture shapes. Throw in some Pop Art, neon, and chiffon windbreakers and you’ve got Wu’s vision of spring 2012. It’s a vision that worked. The prints, conceived in collaboration with the artist KAWS--who’s best known for warping street advertisements and beloved cartoon characters--did a subtle cartoon-y hand print behind a more classic Wu petal print. This print appeared on pants, blouses, and dresses. Dresses, as befits a Wu lady, were generally belted with fuller skirts to the knee. After a few black and grey looks, the clouds parted and out came the big gun color, continuing the neon theme he hinted at in his resort collection.

We're predicting an early trend of harness elements for spring--should we blame Fifty Shades? For spring 2013 Wu was inspired by the "erotically charged" images of Helmut Newton and the "dream-like" photos of Lillian Bassman.