As we entered the Royal Opera House for the Matthew Williamson show, there was definitely something special in the air: The entire venue had been scented with roses, in a nod to the floral prints that adorned silk shirts and pleated full skirts in some of the first looks.

Like a fashion Macbeth, things are never what they seem when it comes to this designer.

We've come to expect bright Perspex, clear plastic, and geometric prints from Holly Fulton and her always-upbeat shows. This season, her muse was Noora Fox, the '70s singer known for her breezy style, a blend of folk and glam rock. As the show opened with a pale denim knee length skirt suit, we prepared ourselves for a more pared down collection from one of London's most fun designers. But with oversized colored sunglasses, side-swept disco curls, and oversized fan shaped clutches, the show proved to be anything but dull.

LONDON--As Ibiza becomes known more and more for 24 hour ecstasy binges and less and less for a beautiful villa owned by Jade Jagger at the end of the island, Matthew Williamson moves further and further away from that dreamy, flowing look--the look that made him king of the boho chic set. Today's show, much like last season's, was an updated idea of boho, with jewel-plated collars and wild fur coats. It was also very, very trendy--pretty much every trend we saw at the New York shows appeared on his catwalk, from red and pink to red and blue to plain ol' red. There were also massive ombré furs nearly identical to those shown at Prabal gurung, only Prabal's were pink and red, not olive.