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The fashion gave us a lot to get excited about.

This year's list features more new and diverse names than it has in the past, from Peter Do to Theophilio.

"I still have a hunger to understand what makes the next generation tick, what's going to continue to make me relevant as a designer or the house that I work for relevant as a brand. It's always about listening and researching and thinking."

One of her most recent fashion week looks, which also happens to be one of her all-time best.

The luxury conglomerate is also expanding its partnership with Virgil Abloh beyond fashion.

"The roll-out of vaccinations and lifting of lockdown saw demand increase for dressier styles, as well as items associated with travel and leisure," according to Lyst.

This time around, costume designer Eric Daman brought a different, more minimalist approach to dressing the teens of Constance Billard and St. Jude's.

See the Spring 2022 men's collection as it comes down the runway.

There's less of a consensus on "It" silhouettes and more of an underlying desire to get dressed again.

See the Cruise 2022 collection as it comes down the runway.

From an all-time best collection.

"Sweats have seen us through the past year, but many fashion-lovers are now looking to set aside the sweatpants and rediscover the joy of dressing up."

We'll be talking about this red carpet for a long time.

Plus, Simone Biles parts ways with Nike and signs with Athleta.

From a collection that was all about dressing up in tough times.

Featuring Jaime Chung, Cynthia Erivo and Kerry Washington in her pool — wearing a gown.

Where were you when you saw Harry Styles in a feather boa?

The collection shows the designer at his best — plus, it introduces a new collaboration with Fornasetti.

See the Fall 2021 collection as it comes down the runway in Paris.

Paired with a perfectly disheveled 2002 bob haircut.

Highlights include custom couture and feathered pajamas.

The "Good Girls" and "Parks and Recreation" star talks all things shopping, quarantine style and her love of Rachel Antonoff jumpsuits.

It's a bold statement, but I feel confident that it's true.

A 1953 essay served as a foundation for Virgil Abloh's latest.