Clarins

It's the most sheer, least chalk-y SPF 50 I've tried.

Call it the Kylie Lip Kit backlash, call it nostalgia, but however you cut it, it seems like I'm not alone in the quest for a shiny finish.

Let’s talk about hyperpigmentation!

A slew of new formulas claim to block your skin from the great outdoors. But are they legit?

For all budgets.

A tiny tube of mighty lotion.

Your next career move is just a click away.

I try a lot of face potions. A lot. But I've loved this one since it launched and I always come back to it.

Laure Heriard Dubreuil, the tres chic founder and CEO of The Webster Miami, lives a pretty charmed fashion life. We got a glimpse at what it's like to be Laure in this exclusive video.

I know, I know: Talking about sunscreen is super boring. But it's a necessary evil, and since I'm starting to notice some mysterious lines and blotches on my face that didn't used to be there, I'm being more careful about using it daily. Mostly because I don't want to look like this after a day in the sun.

Can a cream on your thighs do the same thing as a good long run? Beauty brands have come up with a new way to give you the best of both worlds.

Emerge from this disgusting winter with your skin looking dewy and healthy. A dermatologist talks us through it, plus all the best products out there, no matter what your budget.

Yesterday, WWD reported that Anamaria Wilson, the fashion features director at Harper’s Bazaar, would be leaving her post at the magazine to join Michael Kors as senior vice president of global corporate communications. Wilson is something of a veteran in the publishing industry, building her career over the past twenty years at such prestigious titles as WWD, W Magazine and, of course, Harper's Bazaar, so her recent move to Kors is somewhat unexpected--and it's definitely a change of pace. But Wilson isn't alone: Several big-name editors have recently made the jump from editorial to brands. NYLON's Faran Krentcil is now at Clarins and Shopbop; New York Mag's Jenny Kang is now at J. Crew; GQ's Sean Hotchkiss is also now at J.Crew; Glamour's Jenny Feldman is now at Amazon; Lucky's Jen Ford is now at Kate Spade; Marie Claire's Taylor Tomasi Hill is now at Moda Operandi; and the list goes on. So what's going on? Why are all these editorial-minded individuals leaving publishing to work for retail brands?