LONDON-- The most highly anticipated graduate show in fashion, London's Central St. Martins College of Art served up 40 of its most promising talents to industry recruiters, buyers and press last night. With inflating Helmut Newton inspired pieces and a show-closing collection modeled on stilts, this was undoubtedly one for the books. Alumni Gareth Pugh and Jean-Pierre Braganza sat shoulder to shoulder with art world heavies including the ever-colorful Grayson Perry and even Met Costume Institute director Harold Koda was caught wide-eyed and grinning. Judges included designer Marios Schwab, Hilary Alexander from The Telegraph and fashion film maker Kathryn Ferguson. Winners were presented with cash awards up to ₤1,000 from Fashion Fringe, now in its seventh year supporting emerging designers. L'Oreal was also on deck celebrating its 10th year in collaboration with St. Martins.

Earlier today I chanced upon a short post by Cathy Horyn on OTR about a competition for twenty Parsons seniors to restructure looks from the Louis Vui

At the Met, no less. How chic is that? The Costume Institute is launching a film series during July in conjunction with their Model as Muse exhibit an

The Costume Institute at the Met is finally getting its own audio guide. We never understood why one of the most popular, (at least in recent years),

At the blog mode panel at the Met two weeks ago, Harold Koda said Simon Costin's Victorian looking necklaces were two of the most discussed pieces of