Breakout Fashion Stars Marine Serre and Grace Wales Bonner Define What Makes Fashion Meaningful Today
"I'm trying more to focus not on what we already know are the problems, but what are we doing to solve them?" says Serre.
Maria Grazia Chuiri
The Christian Dior Exhibit at London's Victoria & Albert Museum Is 2019's Must-See Hit
"Christian Dior: Designer of Dreams" expands on last year's couture exhibition in Paris, charting the brand's history from 1947 to present day.
Dior's Aughts-Era 'It' Bag Is Back and It's Bigger Than Ever
Giddy-up! The Saddle Bag launches in stores on Thursday.
Your Creative Director Cheat Sheet for the Fall 2018 Shows
A helpful guide for understanding who's where right now.
See Dior's Spring 2018 Ad Campaign Here
Model and artist Sasha Pivovarova paints portraits of women for the label's seasonal ad.
See Every Look From Dior's Spring 2018 Collection
The tulle skirts and bustiers you know so well, paired with stripes and new graphics.
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Dior's Perfumer on Creating a Seductive Scent for Millennials, With a Nod to Feminism
A closer look at Dior Poison Girl Eau de Toilette, as described by its creator.
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Sofia Coppola is Prima Donna in Valentino Haute Couture at Opera Opening
Coppola is the director of a new Roman production of "La Traviata," produced by Fondazione Valentino Garavani and Giancarlo Giammetti.
Valentino Is a Billion Dollar Brand Now
The fashion house crossed the $1-billion mark earlier than expected.
Valentino Spring 2011: Tied Too Closely To Tradition?
Fashionista contributor Long Nguyen is the co-founder/style director of Flaunt. PARIS--In January 2009 at the historic lecture hall of the Sorbonne, newly-anointed designers Pier Paolo Piccoli and Maria Grazia Chuiri, personal protégés of Mr. Valentino, presented their spring Haute Couture collection. It was virtually immersed in the house codes and heritage, with little indication of their own voices. The road that Mr. Piccoli and Ms. Grazia Chuiri have traveled since at Valentino includes figuring out how to inject their own visions--drawn from their own experiences and observations--into clothes for a new generation. One of the most difficult jobs in fashion today is working at a once venerable institution currently in need of transformation. In a quiet showing at the Halle Freyssinet--where the industrial depot was momentarily outfitted with camel colored cotton benches--the designers clearly embraced the foundations of Valentino.