Sean Hotchkiss

From the increasingly well-documented street style scene outside of Pitti Uomo (it's starting to rival the scene outside any major fashion week venue) to the number of nattily dressed gents we see walking down the street in NYC, there's no question that dudes have been stepping it up in the personal style department. There's even a burgeoning menswear (that's #menswear if you're scrolling through Twitter or Tumblr) clique, comprised of editors at print publications like GQ and Complex as well as bloggers at sites like Four Pins and Selectism and Hypebeast. They are the arbiters of men's style, speakers of the language of #menswear. Yes, they have their own language and we dont' understand at all. Cop some jawns? That dude is sprezzy? Say what?

Yesterday, WWD reported that Anamaria Wilson, the fashion features director at Harper’s Bazaar, would be leaving her post at the magazine to join Michael Kors as senior vice president of global corporate communications. Wilson is something of a veteran in the publishing industry, building her career over the past twenty years at such prestigious titles as WWD, W Magazine and, of course, Harper's Bazaar, so her recent move to Kors is somewhat unexpected--and it's definitely a change of pace. But Wilson isn't alone: Several big-name editors have recently made the jump from editorial to brands. NYLON's Faran Krentcil is now at Clarins and Shopbop; New York Mag's Jenny Kang is now at J. Crew; GQ's Sean Hotchkiss is also now at J.Crew; Glamour's Jenny Feldman is now at Amazon; Lucky's Jen Ford is now at Kate Spade; Marie Claire's Taylor Tomasi Hill is now at Moda Operandi; and the list goes on. So what's going on? Why are all these editorial-minded individuals leaving publishing to work for retail brands?