"I'm very honored that Google invited me to the Met Gala this year. It's actually my first time at the Met Gala [with my work] on the carpet and I'm also dressing myself," Ling told Fashionista while getting ready on Monday. "Designing a piece for yourself is actually interesting because it's more mentally taxing than creating something for a client. But I was very fortunate because my team was helping me with it and they were also passionate and all-hands-on-deck about it."

Related: Indie Designers Had a Strong Showing on the 2026 Met Gala Red Carpet

For the milestone moment, Ling wore a 3D-printed bodice made from aero aluminum plated in chrome. "I wanted to sort of look like I was battered by the weather, standing there on the carpet and a bunch of thorns and flowers just flew into my face, but in a very chic way." With her team's help, Ling crafted the full look in just three weeks.

"It was absolutely insane. We were flying people to go pick it up because DHL would not make it in time," she said. "I was going to be really chill about it...and probably just [wear] something that I already had on the runway. But we just started ideating and then we spiraled and made a whole dress...it became a whole thing."

Ahead of her Met Gala debut, we caught up with the Singaporean-born designer as she prepared for fashion's biggest night. Below, Ling welcomes Fashionista into her getting-ready process, explains why her custom Charles & Keith shoes made for a "full circle moment" and discusses how this year's "Fashion is Art" theme aligns with her eponymous brand's DNA.

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Black Beauty Club, a community-based organization comprised of "builders and believers driving beauty's next chapter," is the latest to get in on the action. This week, it announced the launch of Beauty on the Block, an event that transforms a city block into a live shopping destination, where consumers can shop beauty brands and discover service providers (braiders, barbers, makeup artists and estheticians).

Taking place in New York City on June 21 and Chicago on Aug. 8, Beauty on the Block is part block party, part marketplace and part immersive experience. Participating brands include Blue Water Girls, Koba Skincare, Moodeaux, Hanahana Beauty, Good Weather Skin, Rebundle and JolieDen, with more to be announced. The event is free and open to the public.

Black Beauty Club Founder Tomi Talabi noticed a shift in how consumers are discovering beauty brands in interactive environments, like festivals, conventions and activations. Recently, Ulta Beauty World held a one-day immersive expo, attracting more than 3,000 attendees and featuring 220 brands. Earlier this year, Sephora also hosted an in-person beauty experience featuring brand activations and masterclasses.

However, Black beauty brands and consumers are being left out of these experiences, Talabi points out. "Through The Black Beauty Club, we have spent years building rooms for beauty founders, creators, operators and consumers. What became clear is that the community needs more than just visibility," she says. "It needs more formats that create real access, discovery, commerce and cultural momentum. Beauty on the Block is a response to the gap."

The event has been months in the making. The founder strategically chose Harlem and Chicago because they are both important cultural centers of Black life, style and entrepreneurship. Talabi was also mindful of the opportunity she hopes Beauty on the Block provides participating brands, which is to create direct access to consumers, provide product education, drive sales, gather feedback and build relationships in real time.

"That kind of proximity is incredibly valuable, especially for brands that may not yet have major retail distribution or large marketing budgets," she explains. "Beauty is built on trust, and live environments can build that trust in a way that a shelf placement or digital ad alone cannot. [...] The opportunity for all brands is to participate in beauty where it actually lives: in community, in public, through services, through discovery and through real consumer interaction."

Cash App and Square have partnered with Beauty on the Block to sponsor the events: All participating vendors will operate on Square as their point-of-sale system, while attendees using their Cash App Card will receive exclusive discounts.

Looking ahead, Talabi hopes Beauty on the Block will change how the industry thinks about Black beauty and its lack of infrastructure. "[Black beauty] should not be treated as a niche, a theme or a seasonal conversation," she says. "It is one of the engines of the beauty industry. Beauty on the Block is about building the kind of platform that reflects that."

Beauty on the Block will take place in NYC's Adam Clayton Powell Jr. State Office Building Plaza on June 21 from 12 p.m. to 7 p.m. On Aug. 8, it will be in Chicago's Fulton Market/West Loop area from 12 p.m. to 7 p.m.

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A.P.C. Appoints New Aristic Director

A.P.C. has appointed Ludivine Poiblanc as Artistic Director. She'll help "shape the brand's image and visual universe," per the press release. Poiblanc will present her debut collection in a presentation format on May 20, followed by a runway on June 15. The French stylist's resume includes contributions to major publications such as Vanity Fair and Vogue, as well as consulting for fashion houses on product development and visual identity. {Fashionista inbox}

Gap Co-Founder Dies at 94

On Monday, Gap co-founder Doris Fisher died at 94. She founded the company with her husband, Donald, in 1969. She is survived by her three sons — Robert, William and John. {Gap Inc.}

Zendaya Covers Vogue Brazil

Zendaya makes her Vogue Brazil cover debut in the month of the publication's 51st anniversary. Styled by Law Roach, she poses in a fringe Louis Vuitton dress. In the accompanying cover story, she discusses her intense professional year, how she chooses her roles and her fashion approach. {Vogue Brazil}

Salomon to Expand Store Footprint

Salomon is opening another NYC store, located on the Upper West Side. This is its third opening in 20 months. The 812-square-foot space will feature the brand's largest product offering of the three locations. "The Upper West Side store will be a place for consumers to connect with like-minded people who have a passion for the outdoors and a strong connection to their community," LeeAnn Fallon, vice president of Retail for Salomon North America, said in a press statement. {WWD/paywalled}

Coty Faces Sales Decline in Q3

Coty's Q3 2026 results showed a 1% drop in net revenue at $1.28 billion. Its Prestige division, which accounts for 65% of sales, was flat, while Consumer Beauty fell 4% in net revenue. However, the company reported the results beat profit expectations, especially amid ongoing geopolitical disruption. {Coty}

Lululemon Investors Doubt New CEO

Lululemon investors are uncertain about the company's newly appointed CEO, Heidi O'Neill. The former Nike exec was the internal face of the shoe company's failed DTC plan — despite working under her boss's orders — and has a reputation for poor product judgment. Following her appointment announcement last month, Lululemon's stock fell 10% and its estranged founder, Chip Wilson, wrote a shareholder letter attacking the board's selection and nominating his own candidates. {Puck/paywalled}

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It all started when Gem's founder, Georgia Geminder, saw just how powerful routines can be in shaping your mindset and setting you up for success. This led to Gem, a range of elevated daily essentials that take you from bathroom to beyond. Combining delicious fragrances, with high-performing formulas, Gem's range of antiperspirants aim to take you from a mundane chore, to a self care ritual you'll adore.

Social platforms are now a crucial tool for designers: TikTok, Instagram and even Pinterest engage target audiences, shape trends and drive sales. According to Numerator, 44% of Gen Z consumers have made purchases on social apps, and 82% let social media influence their shopping decisions. 

Now that social media is woven into the fabric of the fashion business, design schools and their students are adapting. As early as freshman year, students create dedicated Instagram accounts that serve as their portfolios. Social media has become a major piece of the creative processes — a resource for inspiration, getting feedback, self-promotion and more, especially as students prepare to present their final collections and graduate this spring. But could it end up having too big of an influence on aspiring creatives? 

"The algorithm has a lot of influence on myself and my peers... Whether we realize it or not, we're consuming social media every single day," says Ellie Warnke, a senior fashion design student at the Savannah College of Art and Design (SCAD) who already has more than 60k Instagram followers. "Specifically on platforms like Instagram, its Explore page is so tailored to your style nowadays that it's so hard not to get inspiration."

Emily Bennett, a first-year fashion design student in Parsons' Associate's for Professionals Program, says that scrolling through social media for inspiration has become a first step in her design process. She follows various artists and photographers whose distinctive aesthetics always serve as a springboard for developing new design ideas. "Social media brings awareness to things I wouldn't necessarily know about," she explains. 

On the flip side, engaging with social media also brings visibility to design students themselves. It's a pathway for these young creatives to get their work on the radar of intrigued users and industry figures alike. That's why most design students today regularly post their work online.

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Instagram is the most popular platform for students, according to Selen Artuc, a senior fashion design student at the Fashion Institute of Technology (FIT). Arctuc uses her Instagram account to document her design journey by posting close-up shots of her work, from sketches to muslin mockups to the final result. TikTok is another student favorite. The platform allows creatives to show their more playful side by posting content centered on their lives as student designers rather than solely on their projects. "It's way more casual," Warnke shares. "It's more lighthearted and comical, and where I'm maybe trying to make a funny meme or something about fashion school."

Posting on social media can also help students get feedback on their work. That's at least the case for Warnke: While she doesn't listen to every comment that comes her way (especially hateful ones), she's open to what people have to say. The way she sees it, the more people engage with her work, the more motivated she is. "I love sharing my work," she explains. "I find that it's helpful for me to post my progress because when I see that people are responding well, it pushes me to be like, 'Okay, what I'm doing is important.'"

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But when students know they'll end up posting their work, it raises the question: How much does social media impact their design decisions? Are they choosing fabrics, colors, silhouettes and details just to land the best hit on the explore page?

"A lot of my personal design process comes from: What is a scroll-stopping element that is going to catch people's attention?" says Warnke, whose senior collection is inspired by social media overstimulation. "I'm thinking about, 'If this were to be pulled for styling a celebrity, how would this look on their social media pages?' You want to create something that will stand out."

Conversely, other students see social media's infiltration of the design process as creatively limiting. "I think if you are focused on designing for the algorithm, and while you're sketching, you're already thinking about, 'Oh, this color would look best on Instagram,' I think that does hold you back in creating truly innovative pieces," says Bennett. 

Whether or not students are creating for the algorithm, the reality is that their work will end up posted on social media. It's why fashion educators have adapted their curricula to address social media strategy. 

"In the curriculum, we really talk about the different storytelling tools, like why you would do a post versus why you would do a story versus why you would do a reel," says Gertz, the Parsons professor.

Parsons professor Tiffany Webber teaches a Professional Practices course in which students are assigned to develop business strategies for an existing brand. This past fall, Webber observed that the majority of her students prioritized digital strategies. "They thought of all these wonderful ideas for making social content," she shares. "Social media is becoming more and more a part of strategic thinking. They're thinking about it [in all stages], from design and development to sales and marketing."

SCAD professor Maria Korovilas dissuades students from creating for the algorithm and encourages them to use it only as a research tool. "We definitely push them to design from a place of authorship," Korovilas says. "We come from a place of depth, research and point of view."

"I don't think students are specifically trying to design for an algorithm, or at least we're not encouraging that," says. Dr. Lauren Copeland, a professor at Kent State University. "We want them to be unique to themselves and true to the brands that they'll be working for." Instead, Kent State teaches social media as a vehicle for trend forecasting. In both design and merchandising courses, Dr. Copeland sees students taking inspiration from the algorithm, but applying it to their design DNA. 

"Fashion is individual; what we wear and how we design is individual," she emphasizes. "If we were to only follow what we see on social media, we would never be creating something new. So how do we push that envelope? That's where we're challenging the students. Yes, take inspiration and understanding from what you're seeing on social media, but what new thing are you going to say through your designs?"

Professors acknowledge that provocative, eye-catching designs may be more likely to generate strong engagement. But they argue that making noise online is possible without them, and instead propose that designers get creative with styling choices and marketing tactics. 

Nicole Benefield, an assistant professor at FIT, teaches a class called Sportswear Development Concepts, in which students create a brand and its strategy from scratch. Part of the final presentation includes building a website and establishing a strong online presence. In her critique, she looks at composition, styling and presentation. "Students are thinking about what their editorial looks like," she says. "What do your style shots look like? And how will their work show up on social?"

Webber considers runway visuals in her class, Fashion Show Production. "One thing we always speak to is the 'money shot,' and that's always been a product of fashion shows in particular," she says. "When you develop a collection and want to put it into the world with a show or some type of in-person experience, there's that sense of designing to get that 'money shot' that people will look at and want to see, whether it's on Vogue Runway or social media."

While educators encourage students to embrace social media, they also warn against overexposure, given the risk of their ideas being stolen. "There's a fine line between a wonderful tease and getting people to see your process versus sharing too much," Webber says. "It's about showing just enough to engage, but still protecting your work. We're very conscientious of our students' intellectual property and really protective of it." Korovilas steers her students towards posting very close-up, detailed shots so they aren't giving away too much. 

Many students have come to accept that the risk of being copied comes with the territory of having a social presence. "Other people can try to replicate [a design] or take the idea," Bennett admits. "But I also think with design, we're constantly coming up with new ideas. So, say an idea gets taken, I still have a million more designs I'm thinking of, so you could just keep moving forward."

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For aspiring designers, the benefits, like potential job opportunities, often outweigh the risks. Today, Instagram is a visual resume in its own right. Warnke, for example, has landed job opportunities with companies like eBay and Apple thanks to her putting her work out there. Bennett, too, posts work content to get industry attention: "It can open up the door for a lot of opportunities," she says.

Looking toward the future, social media is likely to have an even bigger presence in fashion education.

"I think that [social media] should be integrated into our curriculum more," Warnke says. "It should be taught in school to learn how to block off a content calendar, learn where to pull inspiration from, know how often you need to post and learn how to read the analytics of your own Instagram. I feel like people often dismiss the importance of posting times of day and trending sounds. It sounds unimportant, but learning how to utilize these different things can really boost a designer and can lead to so many opportunities."

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Since 2019, brand events in the fashion, lifestyle and beauty spaces have increased by 54% globally and attendance has surged by 65%. We're talking after parties, trade shows, store openings, fashion shows, re-sees, collection launches, VIP dinners, press days and more. Brands are going all-in on physical touch points, which you've probably already observed from the brand activation overload at this year's Coachella. Put simply, in-person experiences are so back.

"The renaissance of the live event is a strategic response to the most pressing challenge in modern marketing — the collapse of attention — and the brands taking it seriously are pulling ahead," Launchmetrics Chief Marketing Officer Alison Bringé noted in the company's report.

As Bringé highlighted, consumers' attention spans are stretched thin, meaning brands need to cut through the noise in impactful ways to make an impression. Management consulting firm McKinsey's "The Attention Equation" study surveyed 7,000 consumers and found that audiences spend an average of 13 hours a day engaging with media, often across multiple screens at once.

So how do you grab a consumer's attention when they're simultaneously scrolling on Instagram and bingeing the latest reality show? Welcome them into your brand's universe, and allow them to escape from their phone for a moment (after capturing content of the actual event, of course). In-person experiences now generate the highest levels of consumer focus, Launchmetrics said in its report. That heightened attention also pays off for brands, as a 10% increase in focus is associated with a 17% increase in consumer spend.

That said, getting an in-person brand event right is an entirely different story. Successful activations set out to reach two core audiences: the actual attendees and those who will encounter the event through media coverage, influencer content and social posts. For example, Launchmetrics' proprietary data found that one undisclosed brand's activation at a recent fashion week outperformed its nearest competitor in media impact value (MIV) by more than 130% simply by intentionally curating its guest list. Boosting the brand's MIV didn't come down to an amplified budget, but rather the inclusion of a handful of "high-impact voices," or celebrities, influencers, media, owned media and partners.

"In our world, guest experience is brand experience," said Dominic Kaffka, Focus founder and managing director. "Every decision, whether creative, operational or strategic, must uphold that tenet. The most effective events today are doing two things at once; creating something unforgettable for the people in the room, and generating momentum that travels well beyond it."

Successful in-person activations treat the guest list as one of the biggest decisions, according to Launchmetrics. After all, whoever attends will shape the story of the event, whether they're press, influencers or even celebrities. Per the report, brands that master their guest list achieve 15% higher invitee-to-attendee rates.

As Bringé put it, "It's not the budget that separates the leaders from the rest, it's the intentionality behind their events strategy and management."

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Origin Story

Vestirsi was founded in 2019 by Monica Upton following a simple but persistent frustration: the inability to find a beautifully made, Italian leatherhandbag that felt both elevated and attainable. With a background in luxuryretail and public relations, Upton understood the importance of craftsmanship and design — but also recognized a gap in the market for pieces that balanced quality with accessibility. Drawing on her Italian heritage, she traveled through Italy to source skilled artisans and suppliers, ultimately creating her own solution.

Founded in Melbourne, Vestirsi was built on the idea that modern luxury should feel effortless, considered and within reach. The brand brings together traditional Italian leather craftsmanship with a relaxed Australian sensibility, resulting in timeless, versatile pieces designed for everyday life. What began as a small collection has since grown into a globally recognized handbag brand, known for its understated aesthetic, premium materials, and ability to elevate how women feel when they step out the door.

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Sabrina Carpenter wore a Dior dress made from actual film strips; Rihanna evoked medieval architecture in Maison Margiela; Emma Chamberlain turned heads with a long watercolor train by Mugler; Hunter Schafer embodied Gustav Klimt’s "Mäda Primavesi" in Prada; and Heidi Klum committed to the bit by transforming herself into a marble statue.

And yes, as always, some guests just wore very, very pretty dresses, and there's nothing inherently wrong with that, especially when you're Zoe Kravitz.

See all the best looks from the 2026 Met Gala below.

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Below, see all the indie designer placements on the 2026 Met Gala red carpet.

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But there is an evolution happening: This time around, it's not wearers' actual nipples on display; instead, we're seeing faux versions artistically rendered on (or as) the garments themselves. While this year's gala theme was "Fashion is Art," the Costume Institute exhibit, "Costume Art," explores the dialogue between the dressed body and art. So it's understandable that many designers would choose to explore the female form — and its depictions throughout art history — with their creations.

We initially wondered if Kylie and Kendall Jenner were referencing big sis Kim Kardashian's controversial 2023 Skims "Nipple Bra" with their flesh-toned nipple moments: Kylie wore a custom Schiaparelli Couture look that mimicked a gown falling halfway off her frame, revealing a moulded body-like corset below; Kendall chose a custom Gap Studio look designed by Zac Posen that swathed her in draped fabric, revealing only one faux Skims-bra-esque nipple (such restraint!).

Kardashian also went with a nipular look herself: She partnered with British artist Allen Jones to create "a nod to his earlier works such as 'Body Armour,' which was created in 1978 originally for an unreleased film," per a press release. Design duo Whitaker Malem worked with Jones to cast the mold to create the breastplate for the look.

Guests outside the Kardashian-Jenner family got in on the trend, too: Hailey Bieber and Heidi Klum went for minimalist and maximalist takes on moulded busts, respectively. Meanwhile, trompe-l'oeil nipples were a big trend of the evening as well. Sabine Getty, Devyn Garcia and Chase Infiniti each wore variations on that theme, incorporating elements such as sequins, rhinestones and paint strokes to really underscore the "art" theme.

There were also a handful of gala attendees who went less overt with their bustiness: Doja Cat chose gold nipple covers beneath her sheer monochrome Saint Laurent look, Irina Shayk wore a skimpy metallic bra and Camila Morrone's sculpted white bodice featured two especially pointy darts that drew the eye to the nipple area.

If you, like us, are left thinking: Where is the celebration of the male form? Why are women the only ones daring to emphasize their nips? Allow us to turn your attention to Jeremy Pope, who came through for us in a jacket completely covered with pearls arranged to depict a rather resplendent nude male chest.

Keep scrolling to see the many "topless" looks from the evening.

Related: See Every Look From the 2026 Met Gala Red Carpet

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Many guests traveled back to ancient Greece for inspiration, with Anne Hathaway nodding to her upcoming role in "The Odyssey" with a Grecian pottery-inspired gown, Heidi Klum transforming into a real-life marble statue, Serena Williams glittering in an asymmetrical silver dress paired with gladiator heels and Kendall Jenner referencing Winged Victory of Samothrace with her custom GapStudio gown.

Renaissance influences showed up on the carpet via Lena Dunham's feathered Valentino gown depicting the gruesome blood spurts central to Artemisia Gentileschi's "Judith Slaying Holofernes," while Rachel Zegler honored "The Execution of Lady Jane Grey" with an all-white dress and sheer eye mask. Additionally, Charli XCX referenced Vincent van Gogh's "Irises," Jessica Kayll hand-painted Monet's "Water Lilies" on a voluminous dress and Hunter Schafer embodied Gustav Klimt's "Mäda Primavesi."

Ahead, we've rounded up the evening's standout art-inspired ensembles for your own art history lesson.

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Alongside her famous parents, the teenager made her Met Gala debut in a voluminous bubble-hem white Balenciaga gown with a corseted bodice (a silhouette she regularly favors), paired with a matching puff-sleeve jacket featuring an oversized popped collar. She accessorized with wavy-shaped blacked-out sunglasses and plenty of diamond jewelry to match her mom's fully crystal-covered ensemble.

Not only was it a milestone for the 14-year-old, but it was also a major rule-breaking moment for the event. Since 2018, the Met Gala has typically not allowed anyone under the age of 18 to attend.

"It's not an appropriate event for people under 18," one of the event's organizers told The Hollywood Reporter after dancer Maddie Ziegler shared she was barred from the carpet at age 15.

Though the ordinance was enacted 70 years into the event's history, Carter is one of very few teenage guests across Met Gala history. Some previous young attendees include Jaden and Willow Smith (17 and 15, respectively) in 2016, and both Elle Fanning (13) and Hailee Steinfeld (14) in 2011.

Carter also wasn't the only teen nepo baby in the building on Monday evening: Beyoncé's fellow co-chair, Nicole Kidman, brought her 17-year-old daughter, Sunday Rose. (Perhaps there's an exception for minors accompanied by famous parents?) The model wore a custom pink-and-purple floral Dior look. In an interview on the carpet, Kidman relatably joked, "I just get to be [here] for Beyoncé."

Before heading into the museum, Beyoncé praised Blue's red carpet posing, saying, "She was ready! She is ready." The superstar continued, "She looks so beautiful. It's incredible to be able to share it with her."

Related: See Every Look From the 2026 Met Gala Red Carpet

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In 1884, Sargent exhibited his painting of "Madame X," which depicted the well-known socialite Virginie Amélie Avegno Gautreau, and was quickly met with backlash from his contemporaries. Sargent originally painted "Madame X" with her right dress strap grazing her shoulder, which would have been particularly scandalous at the time. This fallen strap was interpreted as an indictment on her character, condemning her for her perceived sexuality in a time when women's modesty was of the utmost importance. As both Gautreau and Sargent faced increasing ridicule, the American artist repainted "Madame X" with the sitter's shoulder strap carefully returned to its intended position.

Sánchez's interpretation of the evening's "Fashion Is Art" dress code was a rather literal recreation of Gautreau's original gown. But what grabbed my attention was the inclusion of the fallen strap from the original painting, rather than the upright strap seen in the on the Met's walls today.

"The inspiration behind the gown is the story of Sargent's 'Madame X,' and how a small detail, like the fallen jeweled strap, once sparked such strong public reaction," reads a press release from Schiaparelli. "Daniel Roseberry took the spirit of the gown Sargent painted and made something entirely his own; the silhouette nods to the painting, and the pearl and crystal straps are a quiet reference to the original."

On its own, bringing "Madame X," a painting shrouded by its misogynistic past, into the present feels pointed in our country's current political climate, but when it's done by a complicit billionaire rubbing elbows with our nation's wannabe oligarchs, the statement falls completely flat.

Ever since the Met announced that the Bezoses would be funding this year's fete and given top billing as honorary co-chairs, fierce backlash and calls for a boycott ensued. Anti-Bezos protests sprung up across New York City, with some branding this year's gala as the "Bezos Ball." Last week, an activist group called Everyone Hates Elon even left approximately 300 bottles of fake urine inside the Met due to complaints by Amazon workers of having to urinate in bottles.

Perhaps Sánchez intended her reference to emulate "Madame X"'s quiet strength in the face of ridicule, but any attempt to compare the misogynistic uproar that stained Madame X's reputation to Sánchez's lofty situation feels irrevocably hollow.

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The idea that fashion is art (which happens to be the dress code for Monday night's Met Gala) may not be difficult to accept today, but it's quite ambitious to showcase such a broad concept in a curated environment. The museum tackles this by defining the exhibit as an exploration of the dressed body — examining how it's shaped history, art and identity.

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"Clothing is never neutral," Bolton said. "It mediates between the self and the world, expressing who we are, where we belong and how we wish to be seen. 'Costume Art' [implores] us to see the dressed body not only as an object of representation, but as a subject of experience — a medium through which the history of art can be reimagined."

The exhibit occupies a new, nearly 12,000-square-foot gallery space, which is divided into two main galleries: "Diversity in Bodily Being" and "Bodily Being in Its Universality." The former is further divided into subsections, including "Reclaimed Body," "Disabled Body," "Pregnant Body," "Corpulent Body," "Naked & Nude Body," "Classical Body" and "Abstract Body."

Upon entering the exhibit, visitors first encounter "Naked & Nude Body," which showcases the human form through transparent and skin-toned clothing. Then viewers step into the "Classical Body" section: Situated along a row of columns are Grecian dresses crafted by designers such as Madame Grès and Eta Hentz. "Abstract Body" comes next, featuring historical garments that explore how clothing elements such as corsets and bustles have shaped the human form.

Then comes "Reclaimed Body," spotlighting garments with warped silhouettes to demonstrate the beauty of distorted figures. Rounding out the sections are "Pregnant Body," "Disabled Body," and "Corpulent Body," which celebrate marginalized bodies that have historically been discriminated against and isolated. These feature a diverse array of mannequins representing pregnant, disabled and plus-size physiques. (It's an interesting, and somewhat ironic, decision given the industry's current regression in body-positivity efforts.) Designers featured include Karoline Vitto, Di Petsa and Duran Lantink.

"Here, fashion doesn't simply accompany art, it interprets it. The dressed body becomes the prism through which we encounter paintings, sculpture, photography and decorative arts," Bolton explained. "We frame them through the logic of dress. And in doing so, the exhibition reveals how clothing structures visibility, constructs identity and mediates how our bodies are represented and understood. We're animating art through our connection to our lived and bodied experience,"

The other section of the exhibit, "Bodily Being in Its Universality," looks at the human figure in its most literal sense, showcasing garments that highlight the human anatomy. Its subsections include the "Inscribed Body" (featuring tattoo-printed works); "Vital Body" (an exploration of veins, vessels and blood); "Anatomical Body" (the skeletal and muscular structure, best depicted by a standout Thom Browne dress with hand-stitched embroidered biological structure); "Aging Body and the Mortal Body" (Batsheva's "Hag" sweater perfectly illustrates the reality of getting old) and "Epidermal Body" (gowns and boned corsets centered around skeletons).

While "Costume Art," like most art forms, allows viewers to form their own takeaways from the experience, it objectively positions fashion as a medium to be taken seriously. It illustrates how clothing has shaped history and impacts the way we view ourselves and others.

"The exhibition is a testament to the truth that to study fashion is to study ourselves," Bolton concluded. "The history of art cannot be taught without the history of dress, and the history of dress is, fundamentally, the history of the human body."

"Costume Art" will be open from May 10, 2026 through Jan. 10, 2027. See more pictures below.

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In honor of the Costume Institute's spring 2026 exhibition entitled "Costume Art," the gala's dress code is simply "Fashion is Art." Perhaps the high-profile attendees will take the dress code literally by wrapping themselves in canvases emulating the masterpieces that line the walls of The Metropolitan Museum of Art, or ignore it completely with a plain tuxedo (we're looking at you, Jeff Bez*s). The exhibit examines "the concept of the dressed body," exploring the complex connections between the human form and clothing, so we're also anticipating a wave of anatomical motifs, voluminous silhouettes and structural (if not skeletal) forms.

This year's co-chairs include Anna Wintour, Venus Williams, Nicole Kidman and Beyoncé, who is making her Met Gala return after 10 years away. The Gala Host Committee, which is co-chaired by Anthony Vaccarello and Zoë Kravitz, also includes fan-favorite names like Sabrina Carpenter, Alex Consani, Misty Copeland, Elizabeth Debicki, Paloma Elsesser, Lisa, Teyana Taylor and A'ja Wilson, among many others. Yes, you'll also see the Bez*ses as the Amazon founder and his wife Lauren Sánchez Bezos are the night's lead sponsors.

Ahead, see every look from the 2026 Met Gala carpet. Keep checking back for all the latest looks as we'll continue to update our list throughout fashion's biggest night.

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The Met Gala Faces Backlash Over Jeff Bezos' Sponsorship

The Met Gala is facing backlash over the decision to name Jeff Bezos and his wife, Lauren Sánchez Bezos, as honorary chairs. In the weeks leading up to the event on Monday, an anti-Bezos campaign has filled New York's streets, as well as in subways and online. Activist group Everyone Hates Elon has also been calling for a boycott of the event. {The New York Times/paywalled}

Alysa Liu Is Louis Vuitton's Newest Brand Ambassador

Louis Vuitton has named American Olympic gold medalist Alysa Liu as its newest brand ambassador. The athlete attended the Louis Vuitton Fall 2026 runway show, and also wore Louis Vuitton to the 2026 Vanity Fair Oscar Party. "Alysa Liu embodies the modern Louis Vuitton Woman — confident, creative and utterly fearless," Nicolas Ghesquière, Louis Vuitton's artistic director of women's collections, said in a statement. "Her dynamic energy and individuality resonate with the House's spirit, and she inspires us all to embrace audacity in every form." {Fashionista inbox}

"The Devil Wears Prada 2" Leads Box Office

"The Devil Wears Prada 2" brought in roughly $77 million at theaters in North America from Friday through Sunday, making it the biggest domestic opening for a traditional comedy since 2015. Women overwhelmingly powered the results, as film industry research service PostTrak found that ticket buyers were 76% female. The film took in an additional $157 million overseas, for a global total of about $234 million. {The New York Times/paywalled}

Adwoa Beauty Enters Liquidation

A Texas judge has ruled that hair-care brand Adwoa Beauty will enter a liquidation process through Chapter 7 bankruptcy. The business must cease operations and turn its intellectual property and assets over to a court-appointed trustee for sale. In October, Adwoa Beauty filed for Chapter 11 protection to continue operations while facing a lawsuit from lender Aurous Financial Services. {Business of Fashion/paywalled}

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Related: Chanel is the World's Hottest Luxury Brand Right Now

Related: A Fashion Brand's Guide to Weathering Demand Spikes

Related: This C.O. Bigelow Collab Introduces the 188-Year-Old Pharmacy to a New Generation

Related: Summer 2026 Fashion Education Programs to Apply to Now

Related: It's Going to Be a Track Shorts Summer

Related: Fashionista's April Shopping List: 18 Items Our Editors Love

Related: Hermès Birkin Bags Now Renting for $800/Month

Related: The 18 Best Beauty Products Fashionista Editors Tried in April

Related: How Maekaeda Gibbons Built a $20 Million Fragrance Brand Without Outside Investment

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The Costume Institute Is Easing its Reliance on the Met Gala

Since 2016, the Costume Institute has slowly been building an endowment fund. By 2030, the museum will have saved enough to support itself without relying on the Met Gala. The move comes after the museum decided it needed to find a permanent solution to be entirely self-sufficient. The endowment fund also serves as a safety net if the museum were to face unexpected economic disasters, like a global pandemic or a major recession. {The New York Times/paywalled}

'The Devil Wears Prada 2' Faces Boycott in Asia

A handful of Asian countries, including China, Japan, South Korea and Hong Kong, are calling for the boycott of "The Devil Wears Prada 2," due to a controversial representation of an Asian character. Jin Chao (played by Helen J. Shen) serves as Andy Sachs' (Anne Hathaway) assistant, and Asian viewers accuse the film of reinforcing offensive stereotypes. Those involved have not responded to the backlash. {WWD/paywalled}

CNN Style is Launching a Newsletter

CNN Style is launching a weekly newsletter, "Big Style," helmed by CNN Senior Style Reporter Rachel Tashjian. Published every Saturday, the newsletter will explore the latest happenings in fashion through a "curated mix" of reflections, conversations, advice and reporting, per the press release. The first issue will go live May 9, featuring in-depth coverage of the Met Gala. {Fashionista inbox}

PVH Foundation Launches New Program to Help Emerging Designers

PVH Foundation is launching "Runway Ahead," a program that provides funding, mentorship and work experience for emerging designers and students. The program is in collaboration with Harlem's Fashion Row and the Council of Fashion Designers of America who will provide fellowships, scholarships, grants and hands-on engagement with PVH brands. "Runway Ahead" is part of PVH Foundation's ongoing efforts to expand access and create opportunity for emerging talent. {PVH}

Estée Lauder Company's Turnaround Plan is Paying Off

Estée Lauder Company is seeing sales growth following the implementation of its turnaround strategy, "Beauty Reimagined." In the conglomerate's fiscal 2026 Q3 report, net sales rose 2% to $3.6 billion. Its fragrance category was a key driver, with a 10% jump in sales. {Estée Lauder Companies}

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Origin Story

The name Oliviaumma, meaning "Olivia's mom" in Korean, reflects the brand's foundation in care, connection and continuity. Hye Young Kim created the brand as she became more intentional about maintaining healthy, youthful skin while encouraging mindful skin-care habits for her daughter from an early age. Today, that mother-daughter relationship continues to inspire the brand's philosophy: skin care as a shared ritual across generations, effective, enjoyable and designed to be a trusted, lasting part of everyday self-care.

Each month, Fashionista editors try a *lot* of beauty products. And while not every formula we test is a winner, we’re constantly unearthing new favorites. Here, we’ve rounded up our latest hair, skin, fragrance, wellness and makeup discoveries — whether fresh-to-market drops or merely recent additions to our personal routines.

With spring now fully upon us, team Fashionista is lightening and brightening up our beauty routines. Mineral sunscreens caught our eye this month, as well as hydrating serums to combat our fluctuating weather-dehydrated skin. We also leveled up our lip game via moisturizing overnight treatments and precise liners.

Below, see (and shop!) all of our editors' favorite beauty discoveries from April.

Canopy Bedside Air Purifier, $164-$199, available here: "Canopy may be best known for its humidifiers, but I may be even more impressed with this adorably small air purifier. With multistage HEPA-13 filtration, it captures allergens and other particles that can both disrupt sleep and irritate skin. Plus, it automatically turns off its own lights and eliminates disruptive fan speed changes throughout the night so you never notice it’s there. It also pairs with the brand’s aroma kits, including this one made for sleep (though, always be careful with diffusers if you have pets.)" —Dhani Mau, Editor in Chief

Dr. Idriss Major Fade Active Seal Vitamin C Gel Moisturizer, $58, available here: "The brand just re-vamped this antioxidant-rich moisturizer to include glutathione for extra spot-fading power, and I'm a big fan of the new formula. A thin layer (and consistent application) is all it takes to hydrate, fade dark spots and protect skin in one quick step. I also love that it doesn't pill under sunscreen and makeup." —Steph Saltzman, Beauty & Style Director

Sisley Paris Exfoliating Hand Wash, $115, available here: "I am an avid hand washer — like, I do it probably too much, if that's possible. Many soaps strip my skin and leave my hands feeling rough, so this new Sisley formula was exciting to me for a number of reasons: First, it has exfoliating beads that are just textured enough to remove dead skin without being too aggressive. I also love how it's a gel but lathers into a creamy, moisturizing product that makes me feel squeaky clean. Plus, the botanical and citrus notes give major luxury spa energy." —Brooke Frischer, Associate Editor & Social Media Manager 

Charlotte Tilbury Pillow Talk Blush Balm Lip Tint, $32, available here: "Without exaggeration, I've been wearing this sheer lipstick all month long. With help from its pH custom color chemistry that adapts to each wearer's lips, the 'Blushed Rose' colorway (a subtle rosy pink) perfectly complements my natural lip shade. Plus, it's formulated with botanical butters and peptides that leave my lips feeling soft and hydrated." —Catie Pusateri, Staff Writer

Torriden Hyaluronic Acid Ultra Hydrating Serum for Plump & Glow Skin, $24, available here: "When my forehead is dealing with some serious flaking (which is more often than I'd like to admit), it's a sign my skin needs more hydration. This hyaluronic acid-powered serum truly comes in clutch: I apply it after my cleanser and toner (but before my moisturizer), and I can genuinely say I've noticed improvements in the smoothness and clarity of my skin." —Janelle Sessoms, Staff Writer

Face Reality Power Mineral SPF 50, $42, available here: "This new new SPF 50 designed for for sensitive, acne-prone skin has been a very welcome addition to my skin-care routine. The hydrating, 100% mineral formula has a very subtle tint to it that ultimately goes on sheer, leaving no white cast. In addition to offering sun protection without risk of clogged pores, it also has a calming effect, which is always a plus when inflammation is your skin’s worst enemy." —Dhani

Lume Soft Powder Acidified Deodorant Wipes, $8, available here: "These mandelic acid deodorant wipes are a godsend for frequent fliers. I keep them tucked in my carry-on during long flights, allowing me to freshen up whenever (and wherever) needed. Mandelic acid fights odor by lowering the skin's pH, while aloe vera boosts hydration and witch hazel leaves my sensitive skin feeling refreshed." —Catie

M.ph The Overliner in French Exit, $25, available here: "I think M.ph has entered my top three makeup brands of all time. I'm beyond obsessed with its beautiful foundation, and now its lip liner. Above all, I love how it's a classic pencil format that can be sharpened, rather than the twistable version that many other brands use (I find those break far more easily). This shade, in particular, gives a perfect just-kissed appearance thanks to its cool rosy hue and smooth application, which can be as precise or blurry as the wearer wants. And its staying power is undeniable — I've gone several hours without a touch-up." —Brooke

Chanel Sublimage Le Soin Perfecteur Primer, $305, available here: "Yes, this is one pricey makeup primer. But the pearlescent gel formula goes on smoothly, feels weightless, imparts a subtle iridcesence and creates a smooth, longevity-enhancing base for makeup, and a tiny dab goes a long way. The gold case is also refillable, and you get an extra cartridge in the box, so it's really a 2-for-1." —Steph

Tilt Beauty Grip Stick Hydrating Lip Treatment, $26, available here: "When you wear lip liner and gloss as frequently as I do (read: every day), your lips are bound to get dry and chapped. This hydrating lip treatment delivers some much-needed recovery. It's packed with ceramides and shea butter (to moisturize) as well as hyaluronic acid (for hydration)." —Janelle

Patrick Ta Major Skin Soft Blur Brightening Hydrating Concealer, $34, available here: "Shade matching my near-translucent skin tone is always an uphill battle, but this creamy, buildable concealer by Patrick Ta is a perfect fit, right down to the slight rosy undertone. Thanks to key ingredients like sodium hyaluronate, vitamin E and tetrahexyldecyl palmitate, this long-wearing concealer delivers a hydrating and smoothing finish on the skin. It's quickly become a staple in my complexion routine." —Catie

Ilia Sun Serum Mineral Sunscreen SPF 50, $40, available here: "I've tried many mineral sunscreens (probably a dozen new ones came across my desk this month alone), but this SPF 50 has been a real standout. Available in two tints that the brand claims blend into most skin tones, the formula feels slightly thick and pudding-like at first, but melts into skin with minimal rubbing. Designed to absorb excess oil, it keeps unwanted shiny patches at bay all day without totally sacrificing glowiness. My only complaint is that the 1.5-oz bottle is too tiny — good for travel, but not ideal for the generous use I plan to employ all summer long." —Steph

Hotel Lobby Candle Racquet Club, $58, available here: "There really is something about this brand's scents that makes you feel like you’re in a very expensive hotel — they're lovely and noticeable without overwhelming the senses. Racquet Club, accurately described as 'crisp, verdant and clean,' is no exception. The green vessel is gorgeous, and there's no gimmicky attempt to recreate the smell of tennis balls — notes include mineral mist, vetiver, orange blossom, white musk and 'iced cucumber towel.'" —Dhani

Touchland Glow Essence Body & Hair Fragrance Mist, $26, available here: "I'm never without a Touchland hand sanitizer, so I get pretty excited whenever the brand releases something new. It just launched a new hair and body mist, this time with hydrating skin-care ingredients like hyaluronic acid, peptides and panthenol, making it not just a dual-use product, but actually triple one if you opt to spritz it on your face, too. As someone whose bag is constantly overflowing, the more uses I can get out of one product, the better." —Brooke

Vivier C E Peptides Antioxidant Serum, $204, available here: "There are plenty of vitamin C serums on the market, but this has become my latest go-to. With 10% L-ascorbic acid (vitamin C), vitamin E and three peptides, it's protective, plumping and glow-giving, but not irritating or breakout-inducing, in my experience." —Steph

Eos Strawberry Limoncello Overnight Lip Mask, $6, available here: "It's finally spritz season, and to get in the spirit, I've been swiping on this strawberry limoncello-scented lip mask as the final step in my nighttime skin-care routine. It smells delicious, and it's packed with moisturizing ingredients like squalane, shea butter, shea oil, cocoa seed butter, glycerin and sunflower seed wax to combat any dryness from spring's fluctuating weather." —Catie

Ouai Melrose Place Super Dry Invisible Dry Shampoo, $30, available here: "This dry shampoo has been my go-to recently. Not only does it truly refresh even multiple-day-old oily roots, but it's also been a great tool for a fresh blowout. For a little extra zhush and volume, I spray just a touch of the invisible formula around the halo of my head. I get an even bouncier result, and the ginger, green fig and basil notes make my hair smell fabulous." —Brooke

Iconic London Underglow Matcha Melting Cleansing Balm, $22, available here: "Funnily enough, I initially started using this because I ran out of makeup wipes and was too lazy to buy more. Now, I'm a cleansing balm convert: This balm-to-oil formula melts away my makeup (including waterproof mascara!) within seconds. My skin is left refreshed and prepped ahead of my nighttime skin-care routine." —Janelle

In case you missed last month’s picks, you can find them here:

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Listen to the full conversation between Maekaeda Gibbons and Fashionista Staff Writer Catie Pusateri on The Fashionista Networkon Spotify.

View the original article to see embedded media.

While working as a loan officer at Bank of America, Maekaeda Gibbons began crafting fragrances as a stress-relieving outlet. Her concoctions quickly gained popularity among her colleagues (" Fragrance isn't something that you can contain into your cubicles," she pointed out), and soon snowballed into the now-viral brand Brown Sugar Babe that first launched in 2018. With cult-favorite scents spanning vanilla-forward gourmands to refreshing florals, the company surpassed $20 million in sales in 2025 — all while remaining independent.

As the fragrance space grows increasingly crowded, Gibbons noted that Brown Sugar Babe stays  in its "own lane" of crafting oil-based scents rather than alcohol-based eau de parfums. But what's behind the label's continued rise in the fragrance world without having taken on any outside investment? To Gibbons, it's the brand's dedicated community that shows up on- and offline.

" IRL experiences, activating in a very meaningful way whenever we can at Essence Fest and other shows like Beautycon and things like that, I think those are the things that really drive how we've been able to sustain such great growth," Gibbons shared.

On The Fashionista Network, Gibbons discussed opening Brown Sugar Babe's Atlanta flagship, navigating order delays and supply chain interruptions, acquiring its own factory and more. Watch the full interview on YouTube below.

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When Carolyn Bessette-Kennedy first stepped inside C.O. Bigelow's doors in the '90s, the beloved New York City pharmacy's owners could never have guessed the impact she would have on its trajectory. Word got out that she purchased her signature tortoiseshell headbands — immortalized via paparazzi photos — from its accessory counter, and C.O. Bigelow has been associated with the late style icon ever since.

Decades later, shoppers still flock to the 188-year-old store in search of those headbands, which the store continues to sell. Business really ramped up following the 2026 release of the hit series "Love Story: John F. Kennedy Jr. & Carolyn Bessette," which brought renewed interest in CBK's style.

"The response was immediate and honestly unlike anything we've seen in recent years," C.O. Bigelow Director of Marketing Sarah Barnes tells Fashionista. "Headbands became a flashpoint. We were restocking constantly, and the store itself started to feel like a scene again."

America's oldest apothecary is keeping the momentum going, starting with a new brand partnership with Abbode, a vintage-inspired embroidery brand known for its customizable pouches. Starting May 2, Abbode is transforming its Nolita storefront into a month-long "Abbode Rx" pop-up where customers can shop the new Abbode pouch colorways as well as branded items like nail files, soap, pill cases, combs and Band-Aids. The pouches will also be available to shop at C.O. Bigelow's Greenwich Village store.

"We loved the idea of pairing C.O. Bigelow's heritage with Abbode's more personal, giftable, fashion-meets-function point of view," says Abbode Founder and CEO Abby Price. "I originally just thought of the Abbode Apothecary on its own, but realized how impactful adding a partner would be, and C.O. Bigelow was the obvious choice."

The collaboration's concept centers on romanticizing everyday beauty rituals, especially for the on-the-go New Yorker. "Creatively, we kept coming back to the feeling of getting ready in New York; beauty products on a vanity, a pouch in your bag, running errands, all of those little rituals that feel intimate but still aspirational," Price says.

It's a fitting concept, given C.O. Bigelow's foundation as a place for product discovery and curation. But when a business has been around for more than a century, one naturally questions how it can adapt to the new generation of shoppers without straying from its heritage. "It's a balance of preservation and perspective," Barnes says. "We keep the core intact: the formulas, the heritage, the in-store experience. But we layer in newness through brand partnerships, storytelling and thoughtful curation."

Partnering with Abbode specifically helps the legacy pharmacy reach a younger, digitally native audience. "We can meet a customer who may not have discovered us otherwise, without compromising who we are," Barnes explains. "Once they're here, the goal is the same as it's always been: let them explore. Let them find something they didn't know they needed. [...] The intention is not to 'modernize' the brand. It's to place it in the right conversations."

C.O. Bigelow prides itself on not chasing trends, which could be its key to continued longevity. The retailer accepts change and adapts ideas relevant to its core, but it's never focused on reinvention. Its priority is to remain a shopping haven with quality service, product integrity and brand discovery. Perhaps that's why CBK felt so comfortable frequenting the apothecary.

"Carolyn Bessette Kennedy had a kind of quiet, 'IYKYK' New York presence," Barnes says. "She came in like any other New Yorker. She shopped here because it was part of her routine, not because it was a 'destination.' We've never positioned ourselves around a single figure, but her association reinforces what we've always been: a place New Yorkers trust. It's less about nostalgia and more about continuity. The same products, the same counters, the same feeling of discovery."

The pharmacy has been careful not to overplay its association with the late style icon and there are no direct references to CBK in the Abbode partnership, which had been in the works for a few months: "For us, the collaboration came from a genuine shared appreciation for the brand, its history and the world around it, rather than being built as a direct response to the show," says Price.

Though Abbode x C.O. Bigelow arrives at a moment of optimal cultural relevance, there's something to be said for the fact that the latter retailer was already closing in on 200 years in business. "For nearly two centuries, the focus has been on product integrity, discovery and service," Barnes notes. "That foundation doesn't change. What evolves is how people engage with it. We're not trying to reinvent the apothecary. We're making sure it still feels essential."

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Fashion Launches

Burberry x Hunza G

British brands Burberry and Hunza G partnered on a swimwear capsule for summer 2026. It combines classic Hunza G silhouettes with iconic Burberry colors and Check trims. Simone Ashley and Alva Claire (above) star in the campaign for the collab, photographed by Ryan McGinley. Shop the collection at hunzag.com and burberry.com.

Cou Cou Intimates x Adwoa Aboah

Cou Cou Intimates partnered with model and actor Adwoa Aboah to launch a collaborative T-shirt to benefit Aboah's Gurls Talk platform in honor of Mental Health Awareness Month in May. All profits from the piece will go to the community-led nonprofit organization. Shop the tee, which reads "Out of Order," for $68 at coucouintimates.com.

Frame x Alexandra Leclerc

Frame introduced a 21-piece capsule collection created in partnership with influencer Alexandra Leclerc. Inspired by "the quiet glamour and allure of Monaco," the lineup includes an all-new denim style, rouge leather pants, capri sets and sculpted dresses, priced from $98 to $1,998. It also coincides with Frame's global expansion, which includes new store openings in Cannes (May 2) and Monaco (May 8). Shop the collection at frame-store.com.

Kylie Jenner's Khy 'Refresh'

Kylie Jenner gave her brand Khy a "refresh," evolving away from it's collaboration-led strategy and focusing more on wardrobe staples. Khy's new Spring/Summer 2026 collection features jersey maxi dresses, embellished T-shirts and denim, priced between $70 and $470. Shop the range at khy.com.

Quince x Erin Walsh

Quince collaborated with celebrity stylist Erin Walsh on a second capsule collection that debuted this week, just in time for spring. The lineup, which centers on "a reimagined approach to power dressing" includes tailored pieces, linen separates and more. Shop it at quince.com.

Rixo x Slowdown Studio

British fashion label Rixo introduced a homeware collaboration with Slowdown Studio, titled "The Mythos Collection." The collection melds Rixo's bold prints with Slowdown Studio's bestselling throws, creating two new original designs. Shop them for $275 each at rixolondon.com and slowdownstudio.com.

Sézane x Inoui Éditions

French fashion brand Sézane unveiled its collaboration with Inoui Éditions, the Parisian maison "renowned for its bold, distinctive prints." The collection features lightweight dresses, elegant blouses, matching sets and striped, floral and shell prints. It also spans accessories and handbags. See and shop the full collection at sezane.com.

Banana Republic x Entrudo

Banana Republic's latest independent brand partnership is with Portuguese accessories label Entrudo, run by Maria and Susana Entrudo, a mother-daughter team. Founded in 2017 as a family project, the Felgueiras-based Entrudo "aims to honor traditions and combine them with modern designs." Shop the colorful embroidered basket bags for $350 each at bananarepublic.com.

New Dagne Dover Neoprene

Dagne Dover introduced four new silhouettes to its line of neoprene bags: Rue, Enzo, Noa and Reid. The bags are available in colorways that recently launched for Spring 2026, including rich oxblood, cherry red. Shop them for $100-$210 at dagnedover.com.

Ring Concierge x Aureum Collective

Ring Concierge and Aureum Collective debuted a limited-edition capsule collection that spans jewelry and bags. The launch marks firsts for both brands: Aureum Collective's first venture into fine jewelry and Ring Concierge's first time co-designing ready-to-wear accessories. Shop the range — which is priced from $550 to $1,998 — at ringconcierge.com.

Agua Bendita x Stoney Clover Lane

Agua Bendita teamed up with Stoney Clover Lane on a limited-edition collection of swimwear, pouches and apparel combining both brands' vibrant colors and playfulness. The assortment includes "statement swimwear silhouettes, effortless ready-to-wear pieces and Stoney Clover Lane's iconic pouches — reimagined through the colorful lens of Agua Bendita." Shop it at stoneycloverlane.com and aguabendita.com.

Beauty Launches

Birkenstock Introduces Nail Polish

Birkenstock expanded its beauty offerings (did you know the shoe brand already makes foot and body care?) with the launch of its own nail polish this week. The vegan, plant-based formula comes in five shades ($12 each) — Eggshell, Light Rose, Crocus (lavender), Surf Green and Red — designed to coordinate with the brand's footwear. The line also includes top coat ($12), base coat ($12) and nail polish remover ($34). Shop the products at birkenstock.com.

Biologique Recherche's New Serum

Skin-care brand Biologique Recherche introduced a new serum to its lineup this week: Spectral. Described as an "activator of photo-resilience mechanisms," the pale pink fluid, which is rich in antioxidants, was developed to help strengthen skin and make it more resilient to daily light exposure. (Model Karen Elson also stars in a beautiful campaign image, above.) Get the product for $195 at biologique-recherche.com.

Summer Fridays' New Sunscreen

Summer Fridays dropped an upgraded version of its ShadeDrops Sunscreen in an SPF 50 (as opposed to its existing SPF 30 formula). Per a press release, "the upgraded formula not only maintains the sheer, milky, serum-like texture fans love, but also delivers enhanced defense and an even gentler, more soothing experience for all skin types. Get it for $38 at sephora.com and summerfridays.com.

Aveda's Texture Spray

Aveda introduced its new Tousle Texture Spray ($37), a dry styling spray co-created with Aveda artists. It provides an "airy texture and volume," while also keeping styles in place, per the brand. It's also fragranced with the brand's signature aroma — a blend of 25 pure flower and plant essences. Get it at aveda.com.

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The invite-only tier allows members to borrow items that have historically been reserved for top-spending clients and industry insiders: For $800 per month, subscribers can rent Hermès Birkin, Kelly and Constance bags, as well as rare high jewelry and watches from Van Cleef & Arpels, Bvlgari and Cartier. They can swap out their item every 30 days or extend their rental period. Privée also comes with dining and hospitality perks from ResX and Marriott Bonvoy.

"Privée was launched out of our members' desires," Blake Geffen, Vivrelle co-founder and CEO, tells Fashionista over email. "Accessibility is at Vivrelle's core, and this is a natural extension of what we already see as the future of retail."

It's no easy feat to build an inventory of designer rarities from brands like Hermés and Cartier. Vivrelle says it works with a global network of curators and sources from auction houses and resellers to grow its inventory.

One of Vivrelle's key features is allowing subscribers to purchase items they want to keep. That benefit will expand to Privée as well, meaning members have the chance to own a Birkin bag — no store associate relationship necessary. While the price difference between rented and purchased items remains unclear (though, you can definitely expect to pay more than $800), she emphasizes that members receive the best value for their purchase.

Currently, only existing Vivrelle members will be considered to receive an invitation to the Privée tier. The qualifications are up to the Vivrelle team's discretion, and if that invite comes through, think twice before canceling your membership as there's no guarantee for re-entry.

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It's a big season for big events — proms, graduations, music festivals, weddings — that are best accessorized with a chic, elevated mini bag. In times like these, don't overcomplicate your life (or spend your live savings) by trying to pair a different bag with every outfit. Stick with one that works for all of the above. (No one will judge you, we promise.)

Of course, not every bag is up for the task. Our recommendation: Coach's nostalgic classic, the Nolita. Its timeless, minimalist silhouette and luxe leather material will always make you feel put-together. And while it's small enough for unencumbered socializing and dancing (or fitting underneath your graduation gown), it fits a surprising amount including your keys, cards (there are two dedicated slots inside), phone and lip gloss, at a minimum — all of which stay secure thanks to the zip closure.

But what really sells this bag is its versatility. Switch where the strap clips on and it transforms from a shoulder bag to a wristlet — ideal for drink-holding and content-capturing, especially when your outfit doesn't have pockets. You can also change things up with a bag charm (or several) for a whole new vibe. And if you really need something bigger, don't bother unpacking your Nolita — its compact size and flat shape make it perfect for slipping into any larger bag.

Best of all, it comes in countless colors and textures, and at $109, it'll pay for itself before summer even begins.

Shop versatile, spring event-ready Coach Nolita styles:

Coach Nolita 19, $109, available here

Coach Nolita 19 with Deer Print, $129, available here

Coach Nolita 19, $109, available here

Coach Nolita 19 with Floral Print and Bow, $109, available here

Coach Nolita 19 in Signature Canvas, $109, available here

Coach Nolita 19 with Floral Print and Bow, $109, available here

Mango and Eckhaus Latta to Collab

Mango and Eckhaus Latta are teaming up to create an exclusive capsule collection as part of the Mango Collective concept. The collaboration will bring Eckhaus Latta's experimental and conceptual style to Mango's commercial audience. Eckhaus Latta x Mango will be available to shop starting June 4. {Fashionista Inbox}

Prada Group Delivers Slow Q1 Growth

Prada Group's Q1 2026 report revealed modest growth, with net revenue rising 3% to €1.43 billion (approximately $1.67 billion) and net sales up by 1%. The recently acquired Versace contributed to the quarter with a net revenue of €143 million (approximately $167 million). The group's performance comes against a shaky environment, including an ongoing luxury slowdown and geopolitical conflicts. {Prada Group}

'The Devil Wears Prada 2' Reviews Are In

Early viewers of "The Devil Wears Prada 2" have deemed the sequel as an accurate portrayal of the current media landscape. It tackles relevant industry shifts, including fashion journalists pivoting to work in-house brands, the decline of print media, dwindling job opportunities and the power of billionaire investors. "Anyone who describes 'The Devil Wears Prada 2'as 'heartwarming' has either never been made redundant, has never had to consider redundancy, or simply, has a lot of money. It's a bleak and unnecessary reminder of the state of today's fashion industry," wrote Dazed's Isobel Van Dyke. {Dazed}

Estée Lauder Cos. Invests in 111Skin

The Estée Lauder Companies invested a minority stake in 111Skin, a luxury clinical skin-care brand. The investment allows ELC to continue focusing on backing science-driven innovation, while 111Skin can advance its product development and expand its consumer reach. {Estée Lauder Companies}

Priyanka Chopra's Hair-Care Brand Gets Acquired

Indian fashion and beauty conglomerate Reliance Retail has acquired Anomaly, Priyanka Chopra's hair-care brand. The financial terms were not disclosed. Chopra will continue to work at Anamoly in a newly created creative director role. Reliance Retail plans to scale Anomaly in India and grow the brand's global presence. {Business of Fashion/paywalled}

Depop Partners With Kacey Musgraves

Kacey Musgraves is releasing an exclusive Depop Shop. The shop will feature 20 pieces from Musgraves' personal wardrobe, including pieces from music videos, tours, special appearances and her everyday life. She will also star in a digital campaign that takes fans behind the scenes and into her closet. Kacey Musgraves x Depop will be available to shop starting May 4. {Fashionista inbox}

Bobbi Brown to Cut Back Its Retail Presence

Bobbi Brown is leaving every U.S. department store — Dillard's, Macy's, Bloomingdale's, Saks Fifth Avenue, among others — except Nordstrom. The Estée Lauder Companies-owned brand has struggled with its brand identity and relevance over the past few years, resulting in a significant sales decline. An anonymous source told Puck that the plan is to focus on Ulta Beauty and Amazon. {Puck/paywalled}

The Cécred x BeyGood Fund Returns

Cécred and the BeyGood Foundation have brought back their annual fund for the third year. The fund supports the next generation of hair-care professionals through student scholarships and salon business grants. This year, the fund will also award 10 cosmetology institutions grants of $25,000 each to support beauty education. {Fashionista inbox}

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From Coachella to Met Gala prep, team Fashionista had a lot going on this month. But trust, that hasn't stopped us from indulging in some much-needed shopping.

NYC's indecisive weather has us confused about whether to dress for cold or warm temperatures. Our solution? Dress for both: This month, we found lightweight coats, a cotton blouse and eye-catching midi skirts. We're also amping up our accessories game with French girl-coded hair pins, music festival-worth jewelry and sleek sunglasses.

Ahead, see (and shop!) all our favorite April fashion discoveries.

Old Navy High-Waisted Linen-Blend Straight Ankle Pants, $40 $20, available here: "If you too tend to avoid 'hard pants' at all costs, I can't recommend a good pair of linen pants (or several) enough. These are a great lightweight option and you can’t beat the prices — I'm already contemplating additional colorways." —Dhani Mau, Editor in Chief

Sézane Gladys Hair Accessory, $70, available here: "This substantial-yet-dainty-looking French pin is so pretty, it singlehandedly convinced me to finally learn how to use a French pin. It elevates even my laziest hair days in seconds." —Steph Saltzman, Beauty & Style Director

Longchamp Looong L Shoulder Bag in Pistachio, $690, available here: "This soft, muted green bag has been a welcome pop of color in my spring wardrobe. I also love how it can hold plenty of my everyday necessities without feeling cramped and how easily it fits under my arm, thanks to its adjustable straps." —Brooke Frischer, Associate Editor & Social Media Manager

Damson Madder Catie Ruffle Midi Skirt, $170, available here: "I can never find my name on the kitschy keychains in souvenir shops, so imagine my surprise when I came across it on a Damson Madder skirt. It might be an exaggeration to say this midi skirt was made for me, but its black-and-white check pattern paired with swirling ruffles feels right at home in my wardrobe. Plus, it's made from 100% organic cotton and it has pockets, so prepare to see me wearing this on repeat all season long." —Catie Pusateri, Staff Writer

Old Navy x Christopher John Rogers Mock-Neck Bomber Jacket, $80, available here: "The amount of self-restraint it took to stop me from shopping the entire CJR x Old Navy was no joke. (Honestly, I'm proud of myself for only spending a little more than $200.) Of my purchases, I've been wearing this bomber jacket the most: It's been so ideal to throw on while dealing with NYC's indecisive weather." —Janelle Sessoms, Staff Writer

Dôen Nera Top, $238, available here: "Basically everything Dôen makes would fit in my dream summer wardrobe, and this airy cotton blouse is no exception. The poplin material, mother-of-pearl buttons and scallop eyelet trim make it special, but the silhouette keeps things versatile and timeless." —Steph

Mango Long Trench Coat with Belt, $350, available here: "I am really embracing a vibrant-yet-subdued color palette this season. Wearing an assortment of shades as if they are neutrals has been key to making my closet feel a little more joyful, even on days when I don't have the energy to plan a full look. This baby pink trench from Mango's premium line has been a go-to in my sartorial arsenal, bringing just the right amount of thrill to an everyday outfit." —Brooke

Bec + Bridge Andre Asym Top, $220, available here and Andre Overlay Pant, $300, available here: "This chocolate-colored pinstripe matching set just might be the coolest outfit in my closet. I love the combination of the asymmetrical, off-the-shoulder neckline with the built-in scarf detailing on the pants. It's sleek, comfortable and versatile enough to take me from a seated dinner to a night out." —Catie

Imogene + Willie The "Cherry" Drop Tee, $68, available here: "I'm aware that the 'cherry girl summer' came and went long ago, but I couldn't help but find myself drawn to this vintage-y fruit-adorned T-shirt nonetheless." —Steph

Damson Madder Sporty Wrap Around Sunglasses, $160, available here: "I'll admit that Damson Madder probably has a lifelong customer in me due to the fact that it puts my initials ('DM') all over its products — but the products themselves also happen to be very good. Wraparound sunglasses tend to stay put on my small head, and I love that these are decidedly more ''90s-chic' than 'sporty-fascist.'" —Dhani

GU x Rokh Utility Skort, $40, available here: "I've been on a skort kick lately — I've gone from owning none to three in the span of two weeks — and I have this gem to thank for that. Even though it's a mini length, I don't feel exposed while out and about, and don't have to constantly tug down the skirt. It pairs so easily with a lot of my everyday staples." —Janelle

Bombas x Susan Alexandra Floral Embroidered Half Calf Socks, $24, available here: "I love a fun sock, and it doesn't get more fun than the Bombas x Susan Alexandra collaboration. With small beads ornamenting printed flowers, these half-calf socks add a pop of whimsy to my outfits. They're also machine washable, so no need to worry about losing a bead in the wash." —Catie

Aguabendita Nader Posh One Piece Swimsuit, $210, available here: "It's pretty difficult to find swimsuits that offer added coverage without sacrificing fun design elements. This new Aguabendita one-piece checks just about every box for me. It has adjustable straps, letting me pull the straight-across neckline as high or low as I prefer. Plus, it's not a total cheeks-out situation. There's also a lace-up panel on each side that allows for a corsetted silhouette, but they can also be let loose for days when comfort is top priority." —Brooke

Coach Brooklyn Shoulder Bag 28, $295, available here: "Most people associate the popular Coach Brooklyn bag with its larger sizes, but don't sleep on the smaller 28. This finally ended my long search for a versatile, everyday bag that's not so small it barely fits my phone, and not so big it feels empty without a laptop and multiple books. It's just the right in-between size, and thanks to the soft leather, it still fits more than you’d expect." —Dhani

Karen Millen Tailored Check Trim Detail Midi Skirt, $199
 $99, available here: "My desired aesthetic sits somewhere between Vivienne Westwood and Carolyn Bessette-Kennedy (a wild combination, I know), and this midi skirt checks (get it?) all my boxes. It captures that sleek, tailored silhouette I love while also delivering an eye-catching pattern, tied together with a decorative metal cuff. Let's also hear a little commotion for the (actually spacious) pockets." —Catie

Marlyn Schiff Remy Lariat, $204, available here: "This necklace was the star of almost all of my Coachella outfits. It's so versatile, thanks to its literal open-endedness. The blue- and sand-toned beads are beautifully rich in color, and I especially love how they look against my darker brown hair. The piece can be worn tied together to make a lariat, pulled behind the neck for a choker effect, layered and draped in front and more." —Brooke

Awe Inspired Labradorite Beetle Ring, $285 $140, available here: "You'd think the idea of wearing bug-shaped jewelry would freak me out. But on the contrary, I'm lowkey in love? It's unlike anything else in my jewelry collection and has made for such a great conversation starter when I'm at events. It's been a fun piece to add to my rotation of predominantly dainty, minimalist jewelry." —Janelle

Wildflower Cases Mazzy Joya, $37, available here: "My Wildflower Cases have by far held up the best in comparison to other tech-protecting brands I've tried. Beyond their durability, the cases also have the cutest designs I've seen. I especially love this unicorn-themed one, and the whimsy it brings to my otherwise admittedly bland device." —Brooke

As someone who spent exactly one day on the cross country team in middle school and has since done everything in her power to avoid running, I haven't had a huge need for track shorts in my life. That is, until now. The fashion crowd has put forth an idea I can absolutely get behind: wearing the sporty garment for everyday purposes in addition to — or insteadof — working out: Running errands! Social engagements! Even (if you work in a relatively chill, non-corporate environment) the office!

Athletic shorts are breezy, lightweight, sweat-wicking and comfy. They can also be colorful and delightfully unserious. In other words, they're the perfect summer outfit staple. Or, as Ethan Glenn, founder and creative director of Every Other Thursday, puts it: "No rules in fashion — especially when it's 100 degrees out. Wear whatever you want." But styling does play an important role in dressing up track shorts for less active occasions. In street style, we've spotted them paired with oversized blazers, knee-high boots, penny loafers with preppy socks, heels, trench coats, cropped cardigans and designer bags.

"I think people are getting sick of leggings, both from a comfort perspective and a style one, and they're moving towards looser fitting clothes. They look better for working out, and for non-athletic purposes, too," says Sue Williamson, founder of activewear brand H-O-R-S-E. "My uniform lately is some sort of pretty white blouse, track shorts and white Tabi slingbacks. We just made a white version of the [H-O-R-S-E] mini shorts and I’ve been doing those with a navy sweater and loafers, à la Harrison Ford at the du Cap." (Editor's note: Just... yes.)

Glenn similarly suggests styling sport shorts with a loose dress shirt and a soft loafer or "chic sandals, like a huarache. I also like a slim sneaker and a chunky knit," he notes.

Both founders classify their brands' shorts as unisex, and say they see all genders getting in on the trend, with a pretty equal split between men and women buying them. "I think clothes that are simple and easy to wear on any body always do well," says Glenn. Some brands have begun making gussied-up versions of athletic shorts, too: Chan Luu offers a taffeta pair while Sea NY and Mother Denim both created styles embellished with embroidery and patches.

As for what led to the recent rise of the stylish track short, Williamson has a rather specific hunch: "I suspect the trend (like many cool active trends) started or picked up steam at Sky Ting in New York. I always practice there when I’m in town and love seeing what people wear to class, and how they style it as they walk out. It never feels forced, always feels cool, and Krissy [Jones, the studio's founder] has probably been doing the track short thing longer than anybody," she notes.

Ahead, see (and shop!) our favorite track shorts of the moment.

Every Other Thursday Off-Track Shorts, $54, available here

Wales Bonner Embroidered Mesh Shorts, $475, available here

Staud Anchor Piped Cotton-Blend Shorts, $175, available here

H-O-R-S-E The Short Short, $125, available here

Lioness Sunrise Shorts, $59, available here

Alo Motivate Track Shorts, $88, available here

Sea NY Claira Shorts, $395, available here

Splits59 Ella Airweight Track Short, $88, available here

Mother The Star Player Satin Shorts, $225, available here

Chan Luu Techno Taffeta Shorts, $190, available here

On Track Shorts, $120, available here

Left on Friday Day Trip Short, $130, available here

Donni The Stripe Eco-Terry Short, $124, available here

Sporty & Rich Signature Logo Terry Short, $135, available here

CNN Releases an Anna Wintour Documentary

CNN Flashdoc has released "Behind the Bob: Vogue's Anna Wintour," a documentary special following the editor's decades-long reign in fashion media. It explores her early years in the industry, how she's transformed Vogue into a cultural institution and her role in elevating the Met Gala. The documentary includes interviews with designers, industry insiders and Wintour's former Vogue employees. "Behind the Bob: Vogue's Anna Wintour" is available to subscribers here. {Fashionista inbox}

Puig Reports Q1 2026 Earnings

Puig's Q1 2026 earnings report reveals slower sales growth for the beauty conglomerate. The company's net revenue rose 4.7% to €1.22 billion ($1.43 billion), slightly more than the €1.21 billion recorded in the same period last year. Its fragrance and fashion division grew 3.9%, while makeup and skincare categories rose 9.2% and 4.7%, respectively. Despite the slow growth, Puig remains optimistic about the rest of the year. {Puig}

"Grandma" Watches Are the Latest Gen Z Style Trend

"Grandma" watches are Gen Z shoppers' latest obsession. Timepieces defined by their vintage look and ultra-slim bands, the style is appreciated for its versatility, wearability and stackable nature. Watch brands are responding to the demand by releasing new styles that come in smaller sizes. {Bloomberg/paywalled}

Sol De Janiero Co-Founder Exits Brand

Sol de Janeiro Co-Founder and CEO Heela Young is leaving the brand. Jordan Saxemard, chief marketing and digital officer, has been promoted to CEO. "Sol de Janeiro has always stood for something bigger than beauty — it's a celebration of joy, sensuality and self-expression, rooted in the warmth of the Brazilian spirit," said Saxemard in a press statement. "I'm energized to build on that foundation and expand the brand's global presence and impact with clarity, discipline and creative boldness — while staying true to what makes it unique." {WWD/paywalled}

Armani Group Shares First Financial Results Since Founder's Death

The Armani Group reported that its 2025 net revenue dropped 2.8%. The company shared that it is facing a possible restructuring and remains optimistic about its future outlook. Last year marked the passing of the Italian fashion group's founder, Giorgio Armani, whose will demanded that his heirs sell a majority stake to major luxury players. The company has not yet met with the potential buyers. {Reuters}

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Origin Story

Roo Haircare was born at the intersection of science and lived experience. After her big chop, founder Mitchelle Abuna spent years cycling through products that never quite delivered, especially when it came to ingredient transparency. As a public health scientist, she was used to understanding what she put in and on her body, but that clarity was missing in textured hair care.

She created Roo to bridge that gap: a brand rooted in research, designed with intention and built to simplify the textured hair experience. Each product is formulated with natural, effective ingredients that hydrate and strengthen hair while minimizing unnecessary or potentially harmful additives.

Roo takes a holistic approach to hair care, centering both scalp health and long-term hair strength, without overwhelming routines or excess products.

Yet in March, Mvuemba announced that she's pausing the brand's production indefinitely. The label became a victim of manufacturing delays, late shipping and disgruntled customers. "Right now, I'm reflecting. I'm protecting what matters to me in this season. And I’m allowing myself to be human in the process. I don’t know exactly what the future of Hanifa looks like at this very moment. And for the first time in 14 years, I’m okay with saying that out loud," Mvuemba told The Cut. Hanifa's fate reveals the uncomfortable truth that sometimes, business momentum can be a brand's downfall.  

It's not the only fashion business facing production troubles: Two days after Mvuemba's announcement, British-Jamaican designer Martine Rose shared she's canceling the production of her Fall 2026 collection due to unforeseen circumstances. 

"Usually when something like that happens, there has to be, I would have to assume, an interruption in the supply chain somewhere," Phyllis Sevachko, lead production manager & project manager of brand development company Stateless, explains to Fashionista. High material costs, limited factory space and low cash flow are the main factors that contribute to the issue, she says. 

The reality is, in fashion, rapid support can be a double-edged sword: It can keep a business running, and also expose its weak spots. Without the proper infrastructure — manufacturing relationships, cash flow, inventory management — the more momentum a label gains, the more susceptible it is to failure. 

It begs the question: What can brands do to avoid this fate? Ahead, industry experts reveal how brands can set themselves up to scale sustainably.

Find the Right Factory

It's crucial for brand founders to build strong relationships with their manufacturers. That bond can influence how much flexibility a factory gives a client, such as prioritizing a quick production turnaround or taking on a higher volume of purchase orders. 

"Brands need to have those relationships in place," Sevachko says. "That's something I emphasize with the brands that we're working with, and it takes time to build a rapport with them." 

Selkie founder Kimberley Gordon can personally attest to this: In 2021, Selkie's Puff Dress went viral on TikTok, leading to a product that was consistently sold out as Gordon scrambled to keep up with demand. "It just exploded," she reflects. "I just could not keep this dress in stock. I'd made these bulk orders and I would have to sell it on pre-order because I couldn't make enough to keep up with the demand."

It took months for her and her team to finally get a handle on the situation, which she says wouldn't have been possible without a good relationship with her factory. "One of Selkie's success drivers is the fact that I have such a good factory and we're so close," Gordon says. "Factory alignment is crucial for a startup. [...] They control how much you can make. You can't just put in random orders. They handle multiple brands and have to calendar you in."

That alignment can heavily depend on physical proximity. Sevachko points out that, in domestic factories, clients can benefit from face-to-face interaction and a hands-on approach. Conversely, overseas factories are more distant, both literally and figuratively, and likely to prioritize brands with larger orders. That leaves emerging brands in a vulnerable position, increasing their likelihood of production delays. 

"Sometimes [overseas factories] aren't even willing to work with smaller emerging brands, or it's just not a priority for them to prioritize those orders," Sevachko explains. "So they end up taking longer to produce and the delays can stop a brand from hitting a certain mark, especially if it's seasonal items, which can be really damaging."

It's why it's essential for brands to diversify their supply chain as soon as they're financially able to. "If something happens with the main or only factory you're working with, now you're left scrambling trying to build a last-minute relationship with someone new," says Zapora Berry, owner of Stellar Fashion Consulting. "It's important to have multiple vendors in place."

Have a Financial Plan

Money rules the world — and it rules supply chains, too. When a brand can't keep up with demand, it may not have the cash flow to fund additional inventory production. Businesses traditionally place orders six months in advance, meaning they spend significant money before receiving revenue.  

"Factories do not generally give brands, especially small brands, credit. So they have to pay a percentage upfront, have the funding for that and then pay the balance upon delivery," explains Gary Wassner, CEO of factoring and financing company Hilldun Corp. "The business of fashion is very cash-intensive." Working with third-party retailers can complicate things further and lead to a six-to-eight-month wait for payment, he notes. (And that's assuming the retailer isn't facing its own financial troubles.) 

Berry adds that many emerging and smaller brands can be outpriced by factories' minimum order requirements. "The brand could be put out of business before they even start if they're committing to these super high minimums and investing all their initial income into a first collection they don't even know is going to sell," she says. 

Finance firms like Hilldun Corp help bridge this cash-flow gap by paying stores directly or lending against purchase orders, giving brands the breathing room to wait for revenue to come in. "It gives brands the opportunity to grow because they don't need to wait for the store to pay," Wassner says. 

Still, it's essential that brands have a well-thought-out financial plan that accounts for unexpected strains, including increases in demand. "A brand needs to consider economies of scale," Sevachko says. "As you grow, what does that look like? And are you set up for that success? As you grow, more capital is needed to support that."

Technology such as AI has made it easier for startups to track (and predict) their numbers. Gordon employs AI to help with inventory management: "I can use AI to predict a lot better how much I can sell," she says. "The hardest thing about running a brand is inventory. Having too much of it puts you in a liability position."

Determine the Right Production Model and Distribution Channels

Though it's tempting for smaller or emerging brands to adopt traditional mass production models, that decision should be informed by brand size and budget. "Try to work slowly toward having enough supply," Gordon says. "Don't order 1,000 [units], even if you think you could sell that much. Start smaller and let it grow slowly." Gordon recommends the pre-order model, especially for labels facing difficult production numbers. It's how she was able to predict how long her Puff Dress would remain viral. "Pre-order allows you to see how many you can sell in real time," she explains. It prevents brands from being stuck with unsold inventory. 

While Berry agrees that pre-order is a practical step for many brands, it does come with limitations to consider. It can be a difficult model for emerging brands, since consumers often seek instant gratification, she says. "They don't always want to wait, especially if it's a brand that they're not familiar with and the brand hasn't built up that perceived value yet." Other models that brand founders can explore include small-batch and made-to-order. 

According to Wassner, solving the demand equation is not just about considering how product is made, but also where consumers have access to it. To that end, he strongly advocates for a diversified distribution channel. "Brands need to understand that cultivating specialty stores globally is critical because it's those small stores that build a loyal following and will continue to purchase your brand season after season after season," he emphasizes. "You can't just sell one major department store. That's very dangerous."

When a brand relies solely on DTC, though it offers better margins, it can leave a founder in a tough position if they're low on stock and there are no other channels for consumers to shop from. 

All in all, the business of fashion is a tough one to navigate, and while there's no way to guarantee success, there are safeguards brand founders can adopt to best prevent failure. Striking good relationships with (multiple!) vendors, sticking to a clear financial plan and knowing what production model works for the brand can set a business up well to accommodate strains and unplanned consumer interest. 

"You've got to be able to pivot and react to it," Sevachko says. "Watch your sales, watch your historical data, watch your inventory, watch everything. When demand peaks and you can't manage it, it might require some outside help. But I consider that a good problem. You might need some outside resourcing, but that's a good problem every brand would love to have."

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This is the first time Chanel, which just held its Cruise 2027 runway show in Biarritz, France on Tuesday, has made the 20 hottest brands list. And it's all thanks to Blazy sparking a Chanel frenzy since he stepped in as the house's creative director a year ago: Lines wrapped around stores when his first designs dropped; multiple celebrities chose the brand for 2026 awards season red carpets; and in-demand actors Pedro Pascal and Jacob Elordi joined the house as ambassadors (alongside model-of-the-moment Bhavitha Mandava).

That's not the only big news within Lyst's hottest brands list this quarter: Dior — propelled by another celebrated new designer, Jonathan Anderson — entered the list for the first time as well, landing in third behind Saint Laurent (which took the top spot last quarter). Miu Miu dropped two spots to number four and Demna's Gucci saw a solid jump to number five (up from nine). Meanwhile, Ralph Lauren, Prada, Coach, Burberry and Cos all fell to the bottom of the top 10. Celine also cracked the top 20 for the first time, and its Ballet Lace Up Shoes ranked fourth on the hottest product list.

View the 2 images of this gallery on the original article

Chanel and Saint Laurent also made a strong showing when it came to products: Saint Laurent's Stand Collar Jacket topped the list of hottest items and its Butterfly Sunglasses ranked seventh, while Chanel pumps were number two and its Maxi Flap Bag was number six. Other popular items include Adidas' Chinese Style Track Top, Vivienne Westwood's Long Fond Gown and — a bit outside the fashion space — the viral Trader Joe's Tote Bag.

In addition to new creative directors, pop culture moments also gave certain brands a boost, including "Love Story: John F. Kennedy Jr. & Carolyn Bessette." While Calvin Klein didn't make any lists, the series drove a 43% increase in searches for the brand, reports Lyst. Kangol's Tropic 504 Flat Cap, also featured in the show, tanked 10th among the hottest products, with searches up 14% week-on-week as it aired.

It's fitting that this quarter has been one of major shakeups, given that the Lyst Index itself also underwent changes. The Q1 2026 report marks the introduction of a new methodology: It's now structured around Desire, Demand and Discover to gain a well-rounded understanding of the ways in which brand interest forms, adapts and spreads online. It looks at signals including shopping behavior, cultural influence and discovery channels (AI, social media, content creation) to more fully understand a brand's impact.

Ahead, see the full rankings of the hottest brands and products (most which you can shop!) for Q1 of 2026, and find Lyst’s full report here. 

Hottest Fashion Brands of Q1 2026

1. Chanel (New)
2. Saint Laurent (-1)
3. Dior (New)
4. Miu Miu(-2)
5. Gucci (+4)
6. Ralph Lauren (-2)
7. Prada (-2)
8. Coach (-2)
9. Burberry (-1)
10. Cos (-7)
11. The Row (-4)
12. Versace (+2)
13. Moncler (-3)
14. Chloé (-3)
15. Bottega Veneta (-3)
16. Loewe (-3)
17. Stone Island (-1)
18. Massimo Dutti (-2)
19. Fendi (re-entry)
20. Celine (new)

Hottest Fashion Products of Q1 2026

1. Saint Laurent Stand Collar Jacket
2. Chanel pumps
3. Adidas' Chinese Style Track Top
4. Celine Ballet Lace Up Shoes
5. Vivienne Westwood Long Fond Gown
6. Chanel Maxi Flap Bag
7. Saint Laurent Butterfly Sunglasses
8. Trader Joe's Tote Bag
9. Village Pm 1 Pm Sneakers
10. Kangol Tropic 504 Flat Cap

Please note: Occasionally, we use affiliate links on our site. In no way does this affect our editorial decision-making.

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Very Breezy, an NYC-based collection of rare vintage fashion, is seeking an assistant for an upcoming shopping event, May 15-17th. Must be available during the day May 15th, 16th, and 17th, including early in the morning on May 15th. Must be able to commute to Manhattan (FiDi and Chelsea). *potential for future work opportunities to follow

This is an opportunity to work one-on-one with a small business owner and obtain first hand experience in multiple aspects of running a small brand. It will also give you invaluable exposure to the inner workings of the vintage fashion world, and you will have the opportunity to explore the event, which showcases the best-of-the-best in the world in the vintage fashion space.

*Currently we are hiring for this specific event but, if interested, there will be more opportunities in the future, including some general showroom assistant work, and some future remote opportunities

If interested, please email: shop@verybreezy.com

Qualifications:
The ideal candidate will be friendly, proactive, and feel comfortable in a sales role. An ability to multitask in a fast-paced environment is essential, as is a general interest in fashion/vintage.

Responsibilities include (but are not limited to):

• Assisting with load-in and set up for the event
• Assisting with merchandising the space, as well as keeping it tidy throughout the event (restocking, steaming, etc.)
• Creating content during the event
• Packaging/Bagging customers' purchases
• Greeting customers and interacting with them to maximize sales
• Ringing up purchases/securing payment
• Assisting with breakdown of the set up after the event and load-out

Compensation will be a day rate. Please inquire for more information.

@verybreezy

Edward Enninful to Curate a Fashion Exhibit

Edward Enninful will curate the exhibit, "The 90s: Art and Fashion," an exhibition exploring the art, photography and fashion of the 1990s. The show will take place in Tate Britain and will be open to the public starting this fall. It will feature works from nearly 70 artists, photographers and designers, including Alexander McQueen, Juergen Teller and Hussein Chalayan. {Tate Britain}

A Look at Phoebe Philo's Booming Business

Phoebe Philo has expanded her retail strategy, including selling on Mytheresa and soon opening a shop-in-shop in the Bloomingdale's NYC flagship. The new retail distribution is reportedly to help increase sales so the brand can open its own standalone store, according to Puck's Lauren Sherman. To date, the label has generated over $30 million in annual revenue. {Puck/paywalled}

Fondazione Sozzani's New Award to Spotlight Emerging Creatives

Fondazione Sozzani is launching the Sozzani Award, an annual prize to support emerging photographers, fashion designers and artisans. Applications are free and open globally, with finalists selected by a jury of industry experts and cultural figures. The first Sozzani Award winner will be announced during Milan Fashion Week in September. {Business of Fashion/paywalled}

H&M is Now Available at Nordstrom

H&M is now selling on Nordstrom's online store, marking the brand's first launch on a retailer marketplace. Customers will be able to shop select H&M styles across women's, men's and kids', as well as H&M's sport collection. The move is part of H&M's strategy to increase visibility and meet customers where they shop. {PR Newswire}

Parfums de Marly and Initio Parfums Privés reach $1 billion in sales

Parfums de Marly and Initio Parfums Privés ended their fiscal year reaching $1 billion in sales. Retail sales for the two fragrance brands combined rose 39% compared to the same period last year. Sales for Parfums de Marly grew 42% (surpassing $780 million), while Initio Parfums Privés' were up 32% (around $220 million). {WWD/paywalled}

Do you have an emerging brand you want to share with Fashionista readers? Jumpstart your business with our affordable digital offerings.

Company Description
EVNA PR is a multi-award-winning public relations and strategic communications agency specializing in beauty, fashion, and interior design. We build cultural relevance and brand equity through earned storytelling, brand partnerships, community, affiliate integration, and conversion-driven strategies for a select roster of clients.

Role Description
EVNA PR is seeking a Publicist to lead strategy and execution across a portfolio of brands and talent. This role is both strategic and hands-on, overseeing client management, media relations, and high-impact coverage opportunities, while driving results that support both brand visibility and revenue. The ideal candidate is curious, resourceful, and kind, with a strong understanding of the evolving PR landscape and experience integrating affiliate and commerce-driven strategies across platforms such as AWIN and Impact.

Key Responsibilities

• Lead strategy and day-to-day management across 8–10 client accounts
• Secure high-impact earned media moments (launches, collaborations, standout features)
• Drive affiliate-driven PR strategies
• Leverage and expand strong, relevant media relationships
• Lead initiatives across events, partnerships, and key brand moments 

Qualifications

• 5+ years of PR experience across beauty, fashion, and interior design
• Strong track record securing top-tier earned media
• Strong track record with affiliate and commerce editorial strategies (e.g., AWIN, Impact, LTK)
• Excellent communication, organization, and client management skills, with a positive, solutions-oriented approach
• Strategic mindset with the ability to drive both brand awareness and revenue

Bonus Points

• Relationships with affiliate managers and commerce editors & writers
• Background in product launches, retail moments, brand collaborations, and events
• Experience mentoring junior team members
• Proficiency in Muck Rack, CoverageBook, Canva, Dropbox, Google Drive, Slack

Requirements added by the job poster

• 5+ years of experience in Public Relations
• Based in New York City

To Apply: Please send your resume to careers@evnamedia.com.

@evnapr

Price Range: $30- $150
Hero Product:Multitasker ($94), Go-Getter Tote ($94), Sidekick ($67)
PR Representation: Agentry PR
How to get in touch: michelle@agentrypr.com

Origin Story

Poppy & Peonies is a Canadian, Métis female-founded accessory brand built on the belief that style and function should go hand in hand. Designed to support busy, modern lives, the brand combines practicality with elevated design to help lighten everyday demands on busy women and moms. The brand was founded in 2015 by Natalie Dusome, a mom and designer inspired to create solutions that seamlessly transition from work to motherhood.

Growing up in small-town Ontario, Dusome always dreamed of becoming a fashion designer. After formal training and experience designing for global brands including Banana Republic, Abercrombie & Fitch and Aldo, her perspective shifted once she became a mother. Struggling to find accessories that balanced organization and style, she launched Poppy & Peonies with determination and a baby by her side. What began in her basement has grown into a thriving nine-figure brand.

Sustainability and community are central to the brand's mission. Guided by the Indigenous Seventh Generation Principle, Poppy & Peonies uses vegan, cruelty-free materials, ships plastic-free and continually works to reduce its environmental impact. The company is also committed to giving back, supporting women and children in particular, especially within Indigenous communities, through donations, partnerships and ongoing advocacy.

For high schoolers looking to get a head start, many universities offer fashion-focused summer programs that double as college credit. For example, ASU FIDM builds up foundational fashion skills, LIM College exposes students to a hands-on design studio and Parsons delves into the business of styling.

Plus, many schools offer courses tailored toward other fashion-related disciplines: Marist University explores fashion merchandising, Vogue College of Fashion dives into fashion media and Maine College of Art & Design offers a course on jewelry design.

Ahead, we've rounded up a list of 2026 pre-college summer programs, courses and even camps spanning multiple fashion industry fields currently accepting applications.

ACA Project Endeavor Fashion Design

About the program: a two-week, college credit-earning program that offers insights from industry experts and an inside look into sketching, designing, styling, buying and fashion show production.
Location: Los Angeles, CA.
Application deadline: ACA enrollment is limited and determined on a rolling basis.
Program dates: July 5-17, 2026 (July 6-16, 2026 for commuters).
Cost: $5,795 for residential; $2,995 for commuters.
Qualifications: students must be completing Grades 9, 10, 11 or 12 by the summer of 2026.
How to apply: more information here.

ASU FIDM L.A. and Phoenix Fashion Camps

About the program: pre-college Intro to Fashion Design I, Fashion Merchandising and Intro to Fashion Design II programs designed to expose students to the different pathways in the fashion industry, all while building foundational skills and networks.
Locations: Los Angeles, CA and Phoenix, AZ.
Application deadline: June 11, 2026 at 5 p.m. (Intro to Fashion Design I/Fashion Merchandising); June 18, 2026 at 5 p.m. (Intro to Fashion Design II).
Los Angeles Program dates: June 15–19, 2026 (Intro to Fashion Design I/Fashion Merchandising); June 22–26, 2026 (Intro to Fashion Design II).
Phoenix Program dates: June 15–19, 2026 (Intro to Fashion Design I); June 22–26, 2026 (Intro to Fashion Design II).
Cost: $1,300 for L.A., $1,200 for Phoenix.
Qualifications: open to high school and community college students ages 15-19. Sewing experience recommended for Intro to Fashion Design II; no experience necessary for others.
How to apply: more info on L.A. camps here and Phoenix camps here.

Banson NYC Fashion Summer Camp

About the program: an in-person, week-long session through which high school students get a behind-the-scenes look at the fashion industry through seminars and field trips — plus a five-night stay in a Midtown hotel.
Location: New York, NY.
Application deadline: Registration available on a first come, first serve basis.
Program dates: July 26-31, 2026.
Cost: $2,075 per student or $1,875 per student if you register with a friend.
Qualifications: students entering Grades 9 through 12.
How to apply: more information here.

Fashion Institute of Technology Summer High School 4-Day Workshops

About the program: four-day workshops that allow students to immerse themselves in various fashion-related topics (fashion journalism, fashion photography, trend forecasting and entrepreneurship) and become acquainted with FIT's Fashion District campus; see available classes here.
Location: New York, NY.
Application deadline: June 10, 2026.
Program dates: Week one: June 22, 23, 24 and 25, 2026; Week two: June 29, 30, July 1 and 2, 2026.
Cost: $440 for one four-day workshop.
Qualifications: students in Grades 9 through 12 as of Fall 2026.
How to apply: more information here.

Fashion Institute of Technology Summer High School 10-Day Classes

About the program: 10-day courses spanning fashion design, styling, trends, illustration, photography, product development and more; see available classes here.
Location: New York, NY.
Application deadline: June 10, 2026.
Program dates: July 6, 7, 8, 9, 13, 14, 15, 16, 20 and 21, 2026.
Cost: $550 for one 10-day class.
Qualifications: students in Grades 9 through 12 as of Fall 2026.
How to apply: more information here.

Interlochen Center for the Arts Fashion Summer Program

About the program: a three-week program where students spend six hours per day studying fashion and creating works of wearable art. Students will study the basics of garment construction, construct a line of wearables and showcase the collection in a final show at the end of the program.
Location: Interlochen, MI.
Application deadline: currently accepting applications until the program is full.
Program dates: June 28-July 18, 2026 for Session 1; July 19-Aug. 9, 2026 for Session 2.
Cost: $7,265.
Qualifications: must be high school students in Grades 9 through 12.
How to apply: Applicants should prepare a minimum of five images representing their highest quality of work. More information here.

Istituto Marangoni Miami Fashion Summer Camp

About the program: a two-week pre-college camp exploring the design, styling and business sides of the fashion industry while developing a college fashion portfolio.
Location: Miami, FL.
Application deadline: May 7, 2026.
Program dates: June 1-12, 2026; June 15-26, 2026; June 29-July 10, 2026; July 13-24, 2026; July 27-Aug. 7, 2026.
Cost: $3,000 for domestic students; $3,500 for international students.
Qualifications: must be a current high school student between 14 and 18 years old.
How to apply: more information here.

Kent State University Summer Fashion Academy

About the program: one-week program that explores fashion design and merchandising through the TechStyleLAB, creating a three-dimensional design and learning the foundations of fashion design.
Location: Kent, OH.
Application deadline: registration available until all 30 spots are filled.
Program dates: June 14-20, 2026.
Cost: $1,650.
Qualifications: Students must have completed their sophomore year of high school, be 16 to 18 years old and be interested in exploring a career in the fashion industry.
How to apply: more information here.

LIM College Fashion Academy

About the program: three available courses covering fashion merchandising (with an on-campus and virtual option), fashion styling and a hands-on design studio.
Location: New York, NY or online.
Application deadline: June 22, 2026.
Program dates: July 13-16, 2026.
Cost: courses range from $250 to $350. Students will receive a $50 discount if they enroll in two classes and a $75 discount if they enroll in three classes.
Qualifications: high school students aged 14-18 years old who will be in Grades 9 through 12 as of Fall 2025.
How to apply: more information here.

Maine College of Art & Design Pre-College Art & Design Program

About the program: a three-week residential program allowing students to earn three college credits and build up their portfolio. Students choose two studio majors to pursue, and the program offers fashion & textile as well as metalsmithing & jewelry design.
Location: Portland, ME.
Application deadline: April 15, 2026. Paperwork and full payment due May 1, 2026.
Program dates: July 12–Aug. 1, 2026.
Cost: $5,300 for a single room & board; $4,800 for a shared room & board; a non-refundable $40 application fee.
Qualifications: open to students aged 15-18 in their sophomore, junior and senior years of high school (or the equivalent).
How to apply: complete an application here.

Marist University Summer Pre-College: Fashion Design - Apparel Construction

About the program: a two-week course exploring the various aspects of fashion design portfolio development, including two field trips (with one into NYC).
Location: Poughkeepsie, NY.
Application deadline: accepted on a rolling, space-available basis.
Program dates: June 28-July 11, 2026 for Session I; July 12-25, 2026 for Session II.
Cost: $3,700 per session or $6,660 for students who participate in both sessions.
Qualifications: high school sophomores and juniors, though other high school students (including graduating seniors) are welcome to apply.
How to apply: Submit a high school transcript, recommendation form, short essay and complete application here.

Marist University Summer Pre-College: Fashion Merchandising

About the program: a two-week fashion merchandising course that delves into the business, promotion and product development side of the fashion industry while also featuring guest speakers and field trips.
Location: Poughkeepsie, NY.
Application deadline: accepted on a rolling, space-available basis.
Program dates: June 28-July 11, 2026 for Session I; July 12-July 25, 2026 for Session II.
Cost: $3,700 per session or $6,660 for students who participate in both sessions.
Qualifications: high school sophomores and juniors, though other high school students (including graduating seniors) are welcome to apply.
How to apply: Submit a high school transcript, recommendation form, short essay and complete application here.

MICA Pre-College Summer Intensive: Textile and Fashion Fundamentals

About the program: a college credit-earning program offering studio classes, workshops and artist talks. The Textile and Fashion Fundamentals course teaches students techniques like fabric dyeing, wet felting, weaving, fabric manipulation, surface design and garment construction.
Location: Baltimore, MD.
Application deadline: April 30, 2026.
Program Dates: July 13-24, 2026.
Cost: $3,850 for the residential program; $2,725 for the commuter program; plus a $25 application fee.
Qualifications: Students must be aged 15-17. 
How to apply: Apply for the residential program here, and the commuter program here.

Montclair State University Pre-College Summer 2026: Fashion Design

About the program: a one-week residential program for high school students featuring fashion design and fashion merchandising courses. In the fashion design course, students learn foundational techniques in apparel design, and in the fashion merchandising course, students learn how to plan and execute a six-month buying plan.
Location: Montclair, NJ.
Application deadline: June 15, 2026. (Students accepted after June 15 must submit their payment upon acceptance.)
Program dates: July 12–18, 2026 for Session I (Fashion Design); July 26–Aug. 1, 2026 for Session II (Fashion Merchandising).
Cost: $1,900.
Qualifications: must be high school students in Grades 9-11.
How to apply: Complete the application, including a 250-word essay. More information here.

Moore College of Art & Design Summer Art & Design Institute

About the program: an on-campus, four-week program offering a concentration in fashion design where students can sketch concepts, construct designs and learn draping techniques. Students who successfully complete this program will receive three undergraduate-level college credits and become eligible to receive a $10,000 scholarship to attend Moore College of Art & Design's undergraduate programs.
Location: Philadelphia, PA.
Application deadline: deposit deadline is April 15, 2026 and the tuition deadline is May 1, 2026.
Program dates: July 12-Aug. 7, 2026.
Cost: approximately $6,755, in addition to a non-refundable $300 deposit.
Qualifications: must be a high school student in Grades 10 through 12.
How to apply: more information here.

New York University High School Academy Fashion Design

About the program: an introductory course exploring New York's fashion industry with a final project creating a six-piece sketch collection.
Location: New York, NY.
Application deadline:  April 29, 2026 for residential students living on campus; June 12, 2026 for commuter students living off campus.
Program dates: July 6–10, 2026 for Session 2; July 20–24, 2026 for Session 4.
Cost: $2,579 per course, plus a non-refundable $50 application fee and an optional $684 housing and dining fee.
Qualifications: high school students who have completed their freshman, sophomore or junior years and have an interest in fashion design.
How to apply: Submit an official high school transcript, a 250-500-word essay and a complete application here.

NSLC High School Summer Fashion Programs: Fashion Management & Design

About the program: a pre-college experience allowing students to create a distinctive brand identity, define their brand's target audience and explore sustainability in fashion. Guest speakers and field trips are also offered.
Location: New York, NY.
Application deadline: June 25, 2026.
Program dates: July 8-16, 2026; July 20-28, 2026.
Cost: $4,595 for residential.
Qualifications: Students must be between the ages of 14-18 and have completed at least one year of high school.
How to apply: more information here.

Otis College of Art and Design Summer of Art

About the program: a variety of art- and design-specific programs, including a fashion design course covering sketching techniques and other technical skills; more information here.
Location: Los Angeles, CA.
Application deadline: June 23, 2026 (the deadline for international students is May 14).
Program dates: July 6–31, 2026.
Cost: $2,690 for an individual class or $4,390 for the full program without housing; $5,615 per course or $7,315 for the full program with housing. More information on tuition and housing here.
Qualifications: students must be 14.5 to 19 years old.
How to apply: more information here.

Parsons Summer Intensive Studies

About the program: a three-week program packed with immersive coursework, project-based learning, field trips, guest speakers and portfolio reviews; fashion design, merchandising and styling courses available here.
Location: New York, NY.
Application deadline: May 8, 2026 (April 1 for international students) for Session 1; June 1, 2026 (April 1 for international students; May 8 for students applying for university housing) for Session 2.
Program dates: June 8–26, 2026 for Session 1; July 6–24, 2026 for Session 2.
Cost: $5,610 plus $265 university fees and a $50 non-refundable application fee.
Qualifications: students aged 16 to 18, regardless of skill level.
How to apply: pay the application fee, write a 150-200-word personal statement and submit an application here.

Parsons Summer Academy (Grades 3-12)

About the program: classes for creative students ranging from third to 12th grade, including fashion and accessory design; full offering here.
Location: New York, NY.
Application deadline: July 15, 2026.
Program dates: July 27-Aug. 7, 2026. (Students in Grades 3 through 8 will have half-day sessions from 9 a.m.-11:50 a.m., while students in Grades 9 through 12 will have full-day sessions from 9 a.m.–3:50 p.m.)
Cost: $860 plus fees for Grades 3 through 8; $1,720 plus fees for students Grades 9 through 12.
Qualifications: students in Grades 3 through 12 will attend in-person; students will need a digital camera (mobile devices cameras work for Grades 3 through 8) and class supplies (estimated cost: $75-$125).
How to apply: more information here.

Pratt Summer Pre-College Intensive

About the program: two hands-on courses held over four weeks for current high school students to earn four college credits. It offers fashion-related courses including fashion design, jewelry/metal arts and photography.
Location: Brooklyn, NY.
Application deadline: May 1, 2026 (payment deadline is May 31, 2026).
Program dates: July 6–31, 2026.
Cost: $65 non-refundable application fee; $8,192 for residential students; $5,452 for commuter students.
Qualifications: must be high school students who will be between 16 and 18 years old before Dec. 31, 2026; must be a U.S. citizen, permanent resident or international student with a valid U.S. F1 visa; all experience levels are welcome.
How to apply: more information here.

Rhode Island School of Design Pre-College

About the program: Rising high school juniors and seniors spend five weeks following a college-level curriculum through studio classes, critiques and projects; learn more about its fashion design curriculum here.
Location: Providence, RI.
Application deadline: applications are reviewed in order of submission on a rolling basis; if you apply after March 11, you must pay full tuition and fees within five business days after acceptance.
Program dates: June 27–Aug. 1, 2026.
Cost: $60 non-refundable application fee; $12,495 for the residential program; $9,595 for the commuter program.
Qualifications: must be between 16 and 18 years old, a current high school student between 10th and 11th grade or 11th and 12th grade during the summer of 2026.
How to apply: more information here.

Savannah College of Art and Design Summer Seminars

About the program: workshops in Atlanta and Savannah, GA, covering topics such as draping, sketching and fashion marketing through lectures, demonstrations, studio work and local field trips.
Location: Atlanta, GA and Savannah, GA.
Application deadline: May 29, 2026. April 13, 2026 for scholarship applications.
Atlanta program dates: June 21–26, 2026 for Session 1; July 5–10, 2026 for Session 2; July 12–17, 2026 for Session 3.
Savannah program dates: June 21–26, 2026 for Session 1; July 5–10, 2026 for Session 2; July 12–17, 2026 for Session 3; July 19–24, 2026 for Session 4.
Cost: $1,450 for commuter students and $1,750 for on-campus students, plus a $100 non-refundable registration fee (per session).
Qualifications: must be a current high school freshman, sophomore or junior.
How to apply: Complete an online registration form linked here for Atlanta and here for Savannah.

School of Fashion Design Pre-College Workshop in Fashion Design

About the program: an in-person program for high school students to receive an introduction to the fashion design process, from conception to garment completion. Students will learn how to take measurements, how to operate a sewing machine, design development, pattern manipulation and more.
Location: Boston, MA.
Application deadline: available on a first come first serve basis.
Program dates: July 6-27, 2026 for Session 1; July 29-Aug. 19, 2026 for Session 2.
Cost: $975, plus $125 in supplies and a $25 non-refundable registration fee.
Qualifications: for students currently enrolled in high school Grades 9-12; no prior experience necessary.
How to apply: more information here.

School of the Art Institute of Chicago Early College Program Summer Institute

About the program: five sessions offering a range of creative, college credit-earning courses, including fashion design and fashion construction; see the available courses here.
Location: Chicago, IL.
Application deadline: April 20, 2026 is the priority deadline.
Program dates: June 15–26, 2026 for Session 1; June 29–July 10, 2026 for Session 2; July 13–24, 2026 for Session 3; June 29–July 24, 2026 for Session 4; July 27–31, 2026 for Session 5.
Cost: approximately $1,908 for a one-week session; approximately $3,816 for a two-week session; approximately $7,632 for a four-week session; $100 non-refundable tuition deposit.
Qualifications: students must be between 15 and 18 years old and have completed their sophomore year of high school by the start of the program.
How to apply: more information here.

Syracuse University Summer College: Fashion Design Creative Process

About the program: an on-campus summer college program offering a two-week, noncredit course exploring how fashion design evolves, how a designer creates a collection and the inner workings of the fashion industry. See the full list of courses here.
Location: Syracuse, NY.
Application deadline: May 1, 2026.
Program dates: July 5-17, 2026.
Cost: $4,995 for residential students; $4,024 for commuter students.
Qualifications: High school students who are 15 years or older by their move-in date are eligible to attend.
How to apply: Submit a completed application, high school transcript, an essay and a $65 non-refundable application fee. More information here.

The Fashion Class Fashion Summer Fashion Sewing Camp (Ages 6-12)

About the program: weekly sessions teaching children about design and how to sew real and wearable clothing using a sewing machine; learn more about it here.
Location: New York, NY.
Application deadline: registration available until all spots are filled.
Program dates: weekly starting June 15 through Aug. 28, 2026 from 10 a.m. to 3 p.m.
Cost: $999 per week (all supplies included).
Qualifications: must be between the ages of 6 and 12. No sewing experience is required.
How to apply: more information here.

The Fashion Class Fashion Design Summer Camp (Ages 13-17)

About the program: an in-person camp teaching teens how to sew, sketch their own designs and create a portfolio. Students also learn the business side of the fashion industry through guest speakers and showroom visits.
Location: New York, NY.
Application deadline: registration available until all 20 spots are filled.
Program dates: July 6-10, 2026; July 13-17, 2026; July 20-24, 2026; and/or July 27-31, 2026.
Cost: $1,400 per week (all supplies included).
Qualifications: must be between the ages of 13 and 17.
How to apply: more information here.

Vogue College of Fashion Vogue Summer School

About the program: a two-week, pre-college summer program geared toward high school students interested in learning more about fashion communication, business, media and styling. Students will visit designer studios and flagship stores while learning from Vogue and Condé Nast journalists and experts.
Location: New York, NY.
Application deadline: available on a first come, first served basis.
Program dates: June 7-19, 2026; June 21-July 3, 2026; July 5-17, 2026; July 19-31, 2026.
Cost: $7,695 for the residential program and $6,195for commuters; A non-refundable initial payment of $1,500 is due within two weeks of receiving your acceptance letter in order to register for the program.
Qualifications: must be between 15 and 18 years old.
How to apply: more information here.

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Maria Grazia Chiuri's Debut Fendi Couture Show will be in Rome

Maria Grazia Chiuri is staging her debut Fendi haute couture (Fall 2026) show in Rome, scheduled for July 9. The exact location for the presentation has yet to be announced. This marks the third time Fendi will present its couture show in Rome. {WWD/paywalled}

Ganni CEO steps down

Ganni CEO Laura du Rusquec has exited the company after two years in the position. She is leaving to pursue other opportunities, a spokesperson told Vogue Business. Retail exec and former Tom Dixon CEO Hans Hoegstedt has stepped in as interim CEO, effective immediately. {Vogue Business/paywalled}

Vinted Valued at $9.4 Billion

Online retailer Vinted is now valued at €8 billion (approximately $9.4 billion) following a secondary share sale. Swedish fund EQT Growth and new investors Schroders Capital and Teachers' Venture Growth led the $880 million share sale. While the deal didn't raise capital for Vinted, it highlighted its marketability to investors. {Bloomberg/paywalled}

Bottega Veneta's Latest Executive Hire

Bottega Veneta has appointed Jodie Chan as vice president of marketing and communications of the Americas region, effective Wednesday. She will oversee the development of integrated communications, marketing and VIP strategy. Prior to this role, Chan held executive marketing positions at Versace and Carolina Herrera. {WWD/paywalled}

Casablanca Names New CEO

Didier Nguyen has joined Casablanca as its new CEO, effective immediately. He succeeds Frederick Lukoff, who will move into a senior advisory role. Nguyen's resume includes experience at Saint Laurent, Dior, Givenchy and Amiri, plus a two-year freelancing stint as a strategic consultant. {WWD/paywalled}

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Nike Cuts 1,400 Jobs

Amid the company's "Win Now" turnaround plan, Nike laid off approximately 1,400 operations roles across North America, Europe and Asia. This represents less than 2% of the company's total global headcount. The changes are aimed at "simplifying complexity" in global operations, according to Nike. {Footwear News/paywalled}

Jacob Elordi Is the New Face of Bleu de Chanel

Chanel has named Jacob Elordi as the new ambassador for Bleu de Chanel. Elordi succeeds Timothée Chalamet as the face of the fragrance. The new Bleu de Chanel L'Exclusif campaign will be unveiled in May 2026. "Bleu de Chanel L'Exclusif has strong ties to cinema," Elordi said in a statement. "The filmmakers and actors who have collaborated with the House before me are people I deeply respect and admire. Being able to become part of this story is an honor." {Fashionista inbox}

Bezos Earth Fund Donates $34 Million in Fashion Grants

Jeff Bezos and Lauren Sánchez's Bezos Earth Fund awarded $34 million in grants to institutions studying and developing materials that might replace polyester and cotton. Researchers are creating biodegradable textile fiber and plastic-free synthetic silk that could reduce the climate impact of the clothing industry. {The Wall Street Journal/paywalled}

Consumers Are Bringing Class-Action Lawsuits Against Brands For Tariff Refunds

Following the U.S. Supreme Court's decision that Donald Trump's tariffs are unconstitutional, a new wave of class-action lawsuits against brands who publicly admitted to price increases have emerged. As brands apply for tariff refunds, lawyers are filing cases arguing that the money should be returned directly to consumers. E.l.f. Cosmetics, Lululemon, EssilorLuxottica and Fabletics are among the beauty and fashion labels subject to the class-action lawsuits. {Business of Fashion/paywalled}

P&G Reports 7% Sales Boost in Q3 2026

P&G's Q3 2026 results show net sales increased 7% to $21.2 billion. From January to March 2026, beauty drove P&G's growth with organic sales spiking by 7%. P&G maintained its guidance range for fiscal 2026 all-in sales growth to be in the range of 1-5% versus the prior year. {P&G}

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Price Range: $55-$120
Hero Product:Onsen Water Cream ($55)
PR Representation: MMPR
How to get in touch:hello@deauskin.com

Origin Story

Founded by Hina Mian, Deau reflects a point of view shaped by her time in Japan, immersed in a culture where mastery is measured in lifetimes and beauty is found in restraint. Nothing is rushed. Ordinary objects are treated as worthy of extraordinary care. Excellence is never finished, only refined. That philosophy became the foundation of Deau.

Each Deau formula is designed to earn its place. High-strength clinical actives are balanced with restorative Japanese onsen water and botanicals, creating products that treat with intention while preserving long-term skin health. The result is a tightly curated lineup, engineered to replace excess, not contribute to it.

Fashion Launches

Vuori x Kaia Gerber Spring 2026

Building on their ongoing partnership, Vuori and Kaia Gerber unveiled their Spring 2026 collection and campaign, dubbed "For Kaia." The collection introduces new silhouettes in signature Vuori fabrics and "emphasizes comfort, versatility and elevated simplicity," per a press release. Shop it at vuoriclothing.com.

Warby Parker Sport

Warby Parker expanded into a new category this week: Sport. Described by the brand as "performance eyewear that brings added durability to frames you already love," the collection "bridges the gap between fashion and gear-focused sport frames." The edit introduces three performance polarized lenses designed to reduce glare and five frames with a secure, no-slip fit. Shop the eyewear — starting at $195 — at warbyparker.com.

Icon Denim x Marc Eram

Denim brand Icon Denim Los Angeles unveiled its collab with celebrity stylist Marc Eram. Inspired by Los Angeles, the five-piece lineup of jeans and a denim mini skirt is "a curated offering that captures a sense of ease, edge and individuality," per the brand. Shop the collection, which is priced from $199-$259 and available in sizes 23-32, at icondenimlosangeles.com.

Jonathan Cohen White Label Drop 2

Jonathan Cohen unveiled the second installment of White Label, developed in close partnership with Larroudé, and operating outside of the traditional wholesale calendar. Drop 2, which "further explores Cohen's signature balance of structure and ease," centers tailored corsetry, hand-dyed skirts and bold tonal gradients. "White Label allows us to design in real time," said the designer via a press release. "It’s about creating pieces that feel immediate yet enduring — collections that evolve with our customer rather than around a fixed calendar.” Shop the collection at jonathancohenstudio.com.

Chan Luu Summer 2026

Chan Luu released its Summer 2026 collection, continuing its expansion into ready-to-wear. Standouts include the Laser Cut Ballet Skirt in white ($295), Sequin Apron Top in Black ($490), as well as the brand's hero Techno Taffeta Pant ($275), which returns this season in three new colorways: Steel, Translucent Green, and Taupe. Shop the pieces at chanluu.com.

Awe Inspired x Jhené Aiko

Jewelry brand Awe Inspired partnered with Jhené Aiko to create a capsule inspired by "California mysticism" and in keeping with the theme of her forthcoming album, "Westside Whimsy." The line includes pearl stranded earrings, jade cuffs, a saber-tooth pendant, an oil scent diffuser ring, coin pendants and more, priced from $85-$995. Shop now at aweinspired.com.

Beauty Launches

Nonfiction's New Fragrances

Fragrance brand Nonfiction introduced two new spring scents, Dew & Light and Tears in Rain, this week. The former eau is a nuanced floral that features notes of peony, white moss and earthy akigalawood; the latter blends oakwood, patchouli, bergamot and geranium to evoke "the calm vitality of a forest after rainfall," per a press release. Shop them each in 100mL ($190) or 50mL ($135) size options at nonfiction.com.

Violette_FR's New Eye Shadows

Violette_FR introduced the second "chapter" of its Plume "triology" this week in four matte and four shimmer shades. The powder formula is designed to layer on sheerly to "create subtle dimension for effortlessly defined eyes in seconds," according to the brand. Shop them for $32 each at sephora.com and violettefr.com.

Soft Services' Limited-Edition Theraplush Gift Set

Just ahead of Mother's Day, body-care brand Soft Services launched its limited-edition Theraplush Mother of Pearl Gift Set ($114), which includes the brand's signature refillable case in an antique pearl finish and a trio of Theraplush refill pods in three fragrance options. Shop the set at softservices.com and sephora.com.

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This year's finalists are: Colleen Allen (United States), Gabriel Figueiredo of De Pino (France), Galib Gassanoff of Institution (Georgia), Julie Kegels (Belgium), Zane Li of Lii (China), Petra Fagerström (Sweden), Harry Pontefract of Ponte (United Kingdom), Daniel del Valle Fernandez of The Vxlley (Spain) and Anil Padia of Yoshita 1967 (Kenya).

On Sept. 4, they'll present their collections to the Prize Jury at the Foundation Louis Vuitton in Paris. Sitting on the jury are top names in the industry, including Jonathan Anderson, Sarah Burton, Maria Grazia Chiuri, Nicolas Ghesquière, Marc Jacobs, Jack McCollough and Lazaro Hernandez, Phoebe Philo, Michael Rider and Pharrell Williams, among others.

The LVMH Prize winner will take home a €400,000 endowment (approximately $468,000) and receive a one-year tailored mentorship by LVMH teams. Finalists also compete for the Karl Lagerfeld Prize and the Savoir-Faire Prize, which comes with a €200,000 endowment and a year-long mentorship at LVMH. Additionally, each winner will join the design studio of one of the LVMH Houses for one year and receive an extra €10,000, which will be given to the school from which they graduated.

"This shortlist illustrates the Prize's reach, with designers from the United States, Europe, China and, for the first time, Kenya. The finalists demonstrated a singular creative vision while offering highly sophisticated interpretations of traditional craftsmanship," Delphine Arnault, chairman and chief executive officer of Christian Dior Couture, said in a press statement. "I warmly congratulate the finalists and look forward to welcoming them to the LVMH Prize final, which will be held at the Fondation Louis Vuitton in Paris."

See all the finalists competing for the 2026 LVMH Prize for Young Fashion Designers below. 

Colleen Allen

Gabriel Figueiredo, De Pino

Galib Gassanoff, Institution

Julie Kegels

Zane Li, Lii

Petra Fagerström

Harry Pontefract, Ponte

Daniel del Valle Fernandez, The Vxlley

Anil Padia, Yoshita 1967

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Hawes, who ran her own couture house, proposed methods to develop quality mass manufacturing (which would not enter the mainstream until the 1960s) on U.S. soil, all the way back in the 1920s. She's often referred to as one of the first American couturiers, and yet she remains a hidden figure in fashion history — until now, at least: The Cincinnati Art Museum is putting the spotlight on Hawes' work with a new exhibit, "Elizabeth Hawes: Radical American Fashion."

When Hawes began designing, Parisian fashion largely influenced American dress. In fact, Hawes actually got her start in the industry as a "paid covert copyist for U.S. department stores spying on French fashions," explains Megan Nauer, acting curator of The Cincinnati Art Museum's Fashion Arts and Textiles department. "She came to the conviction that American women (and men) deserved a uniquely American point of view addressing a modernizing way of life, and that she wanted to develop that here in the States."

Running from April 24 through August 2, the new exhibition features more than 50 garments made between the 1920s and 1960s, alongside original sketches and illustrations, and is accompanied by the first publication devoted entirely to Hawes' career.

Ahead, Nauer sheds more light on Hawes' legacy, putting the exhibit together, sourcing garments and more.

View the 2 images of this gallery on the original article

What were Elizabeth's biggest contributions to American fashion?

She wanted to create garments that were beautiful, made with quality, utilitarian and comfortable. Before this time, women — women in particular but men as well, Hawes argued — were expected to wear clothes that often confined their bodies and conformed their figures: Hawes and her influence were a huge part of the move away from that toward a greater aesthetic and physical freedom in dress for women in the U.S.

She also argued that all genders needed the same things from their clothes, and that gendered norms of dress were not useful: for instance, that women should wear trousers and men should wear skirts when the demands of their lives called for one over the other — she was very forward thinking in her treatment of gender in fashion.

She also wished to democratize access to quality clothing: she was very interested in how to work with manufacturers and wholesalers to create garments of true quality and durability which could be made reasonably affordable to people on a working class income. This idea of quality, affordable garments made here in the U.S. is a conversation we are culturally revisiting today.

View the 2 images of this gallery on the original article

Walk me through the process of putting the exhibit together: How long did it take? What research did you have to do? Where did you source the garments and other works?

The exhibition and accompanying book were a long-term labor of dedication for the curator, Cynthia Amneus, who retired in January. Cynthia researched this designer off and on for almost twenty years, ultimately conducting extensive primary-source research in the designer's personal archives and other archives across the country.

Most of the garments in the exhibition are part of the Cincinnati Art Museum's permanent collection. CAM has the second-largest collection of Hawes's work after the Costume Institute at the Met. A Cincinnatian named Dorette Kruse Fleischmann was a long-term, dedicated client of Hawes, ultimately becoming a stockholder in her operation. Dorette was a collector of fashion and donated the majority of CAM's collection of the designer's work, along with many other artworks over the years.

Some garments are on loan from the Met, and a selection of the designer's original sketches are on loan from the Brooklyn Museum Library and Archives. Other items are on loan from the Museum at FIT, The Museum of the City of New York, Kent State University Museum, the Indianapolis Museum of Art and the Wadsworth Atheneum Museum of Art.

What are some standout pieces you want to highlight?

The dress titled"Geographic" (above) is a standout piece: In 1940, as the world and the United States headed into World War II, everyone in the manufacturing sector and beyond in the States was thinking about how they would adapt and contribute during the war. Hawes knew that she would have to close her atelier. She designed a final collection to present at her salon in 1940, giving every ensemble in the collection a name with a geopolitical theme. The week of the fashion show, she sketched and decided to make "Geographic" for herself to wear to close the show and close her house.

She purchased flags from shops around the city. The full-skirted full-length dress has flags of countries that were Allied powers or neutral at the time stitched into a patchwork over the skirt and bodice. On the derriere of the skirt, where the wearer would sit down on them, she stitched three small flags of Nazi Germany and the Axis powers. This piece was her political statement and last word as she closed the house she had run in New York for a decade. It is one of one, made only for the designer to wear herself.

The dress arrived at us via a collection transfer from the Brooklyn Museum in 2011, in very rough condition. Our amazing Textile Conservator at CAM, Chandra Obie Linn, did some amazing work to stabilize this historic piece.

I have a feeling that for many years, her progressive political beliefs and her unflinching, often caustic voice...were part of why the fashion industry didn't uphold her legacy as it did for other designers.

Why do you think Elizabeth has been an overlooked figure in fashion history?

This is hard to say! Many artists fall in and out of the widespread public consciousness during or after their lifetime. I have a feeling that for many years, her progressive political beliefs and her unflinching, often caustic voice, which permeated her huge body of writing and commentary, were part of why the fashion industry didn't uphold her legacy as it did for other designers. Her critiques of the fashion industry, though, are ones we face today, and I think as they become a more pressing part of the social conversation, Hawes' work is being picked back up and seems more insightful than ever.

How does this exhibit honor Elizabeth's legacy?

The exhibition honors her voice and features some of her most technically interesting, beautiful designs. Hawes cared about everything she made and all of her clients, but because of the length and closeness of her relationship with Dorette Kruse Fleischmann, she achieved some of her most stunning and personal designs in their work together.

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Rachel Sennott Stars in Marc Jacobs Pre-Fall 2026 Campaign

View the 1 images of this gallery on the original article

Marc Jacobs tapped Rachel Sennott to write and star in its Pre-Fall 2026 campaign, a scripted micro-drama called "The Scene." This is the first installment of Question Marc, an episodic, social-first series blending fashion, film and entertainment. "The Scene" follows Sennott through a chaotic day on her way to securing an invitation to "The Gala," with the brand's Scene Bag appearing throughout. See the campaign photos above, and watch "The Scene" here. {Fashionista inbox}

Lululemon Names New CEO

Lululemon Athletica Inc. has named Heidi O'Neill as its next CEO, effective Sept. 8. O'Neill previously spent 27 years at Nike, where she held various leadership roles. She succeeds Calvin McDonald, who exited as CEO earlier this year. "What drew me to this role — and what I believe is Lululemon's greatest opportunity — is the intersection of extraordinary product, design and community," O'Neill wrote in a company-wide email to employees. {WWD/paywalled}

Condé United Addresses the Latest Round of Layoffs

Condé United and The NewsGuild of New York posted a statement on Instagram addressing the latest round of layoffs at Condé Nast, which saw 16 members across Self, Glamour and CNE lose their positions. "We see layoffs happening over and over and disproportionately affecting our members of color as well as queer and trans members," the union wrote. "These persistent cycles of layoffs harm our ability to cover issues critical to our readers, and as a result, Condé is platforming more homogenous voices." {Instagram}

EssilorLuxottica Acquires Faro, Sees Revenue Rise 10.8% in Q1 2026

EssilorLuxottica has acquired Faro, an Italian company specializing in CNC machinery for milling and diamond cutting to serve the jewelry and eyewear industries. This acquisition adds critical technological capabilities to EssilorLuxottica and enables Faro to accelerate its long-term growth. EssilorLuxottica also posted its Q1 2026 results, which showed a 10.8% increase in group revenue to €7.13 billion ($8.34 billion). This marks the third consecutive quarter of double-digit growth for the company. {EssilorLuxottica}

Chloë Sevigny Covers Harper's Bazaar

Chloë Sevigny is the cover star for Harper's Bazaar's May 2026 The Beauty Issue. Photographed by Chaumont-Zaerpour and styled by Robbie Spencer, Sevigny wears a Chloé dress and Calzedonia tights on the cover. In the cover story written by Laia Garcia-Furtado, Sevigny discusses her three-decade long career, filming "The Five-Star Weekend" and her signature style. The May 2026 issue will be available on newsstands on May 5. {Harper's Bazaar}

L'Oréal Reports 3.6% Sales Bump in Q1 2026

In its Q1 2026 sales report released on Wednesday, L'Oréal posted a 3.6% increase in sales to €12.15 billion ($14.22 billion). L'Oréal's adjusted like-for-like growth was up 6.7%. The company saw growth in all regions, with Europe leading the charge through sales of €4.4 billion ($5.15 billion). {L'Oréal}

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"We are so proud of our senior designers, not only for the amazing styles they showcased this evening, but because of their embrace of sustainability, inclusivity and empowerment," said Thomas Jefferson University President Dr. Susan Aldridge, in a press statement.

Program Director Carly Kusy added, "Fashion is more than pretty dresses. It is about voice, perspective, and the courage to say something meaningful. Our industry needs that conviction. We are at a pivotal point, and it needs new voices willing to question, challenge and reimagine what fashion can be — more inclusive, more responsible and more reflective of the diverse world it serves."

Each designer leaned into their own niche, with collections ranging from streetwear to eveningwear to bridal to athleticwear. Plenty of eye-catching details were on display down the runway, including colorful patchwork, lots of corsetry and cutouts.

The evening also included honoring alumna Madison Chamberlain with the annual Spirit of Design Award. The Class of 2017 graduate established a nontraditional bridal design company known for its colorful wedding dresses and statement veils.

Ahead, see the standout looks from Thomas Jefferson University's 2026 Student Runway Show.

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Price Range: $88 - $208
Hero Product:Retro Surf Suit ($150), Full Coverage Surf Suit ($208), Noserider Surf Playsuit ($148)
Stockists:Free People
PR Representation: In-house
How to get in touch: hello@noseridersurf.com

Origin Story

Emma Bukowski grew up in small-town Wisconsin, dreaming of surfing despite having no access to the ocean. She didn't actually start until her mid-20s, when she moved to Hawaii and began paddling out twice a day. After relocating to Bali, she couldn't find surfwear that stayed on while she was still learning. Everything was either too flimsy or too technical and ugly. She sketched her first design, found a local tailor and prototyped what became the now best-selling Retro Surf Suit. Friends started asking for theirs, and Noserider Surf Club launched in March 2022.

Four years later, Noserider is carried by Free People, operates a surf shop in Bali and ships from a U.S. warehouse. The brand sits in a lane the surf industry largely ignores: elegant, functional surfwear for women who take surfing seriously but don't need to prove it through what they wear. Every piece is ethically handmade in Bali from recycled materials, with select styles lined in Vita Carvico, an eco-luxe Italian fabric. Bukowski designs for the woman who wants to feel confident in the water without choosing between performance and personal style.

An official authenticator for TikTok Shop, Entrupy also works with retailers, secondhand shops and department stores around the world to authenticate handbags, sneakers and apparel using AI that compares more than 90 million images of real and counterfeit products. It authenticated $3.34 billion worth of merchandise last year and boasts a 99.86% accuracy rate.

Luxury's Most-Faked Brands

Of Entrupy's total luxury authentications for 2025, the vast majority — 91.9% — came back authentic.

Louis Vuitton was named the "most-faked" luxury brand, meaning it had the largest volume of "unidentified" items (or pieces Entrupy cannot verify as authentic) submitted for review. That said, Louis Vuitton also saw the largest volume of items in general — the brand accounted for 33.14% of all luxury submissions — so the number of unidentified items was naturally high as well.

Gucci was second on the list, with $17,841,197 worth of fake Gucci bags submitted through Entrupy in 2025, followed by Prada, then Chanel. Dior ranks as number five, despite making up only 4.68% of Entrupy's total submissions.

Luxury's Most At-Risk Brands

That list doesn't necessarily reflect how likely a brand is to be counterfeited, though. While Entrupy determines its most-faked brands by volume, its "riskiest brands" are those with the highest rate of fakes, reflecting the percentage of unidentified items relative to the brand's total submissions. Goyard, for example, made up only 1% of submissions, but had the highest fake rate of 18.9%, making it the platform's riskiest brand.

According to Entrupy, a counterfeiter's sweet spot is a brand that offers limited distribution, engineers "deliberate mystique" and designs an instantly recognizable pattern. Goyard fits neatly into that description, as its interlocking dot pattern has long set the beloved French label's accessories apart.

Prada was named the second-riskiest brand at 13.1%, followed by Saint Laurent at 10.5%, Dior at 9% and Givenchy at 8.9%. In Entrupy's 2025 report, Loewe took the top spot as fashion's riskiest brand, but the Spanish luxury house was absent this year, likely thanks to "growing market awareness, increased authentication volume and counterfeiters shifting focus to softer targets," according to the report.

Apparel and Footwear: More Likely to Be Fake

While they don't lead by volume, luxury sneakers boast some of the highest fake rates in the market. Aspirational demand fuels this problem, the report says, as some consumers are merely chasing logos rather than actual craftsmanship. Louis Vuitton leads the pack with a 54.1% fake rate, while Dior follows close behind at 42.5%. Balenciaga (36.2%), Christian Louboutin (27.9%) and Alexander McQueen (19.2%) fill out the top-five podium.

Apparel, however, is Entrupy's true riskiest category — nearly one in three clothing items were classified as unidentified. Fear of God Essentials tops the list of riskiest apparel brands with a whopping 95.75% fake rate, meaning nearly every item submitted for authentication to Entrupy is unidentified. As the report points out, the apparel resale market is booming, meaning counterfeiters are growing increasingly savvy when it comes to replicating authentic styles (especially in streetwear).

Rounding out the risky apparel brands, Bape sits at 85.19%, Nike at 73.33%, Sp5der at 61.02% and Denim Tears at 35.97%. As Entrupy points out in its report, "accessible, high-demand basics with simple branding and steady resale appeal are the easiest targets" when it comes to counterfeiters.

On the other hand, Supreme and Off-White have the lowest rate of apparel fakes relative to volume, coming in at 13.2% and 2.9%, respectively. Entrupy authenticates apparel from these two brands more than any other, but their trusted resale ecosystems have resulted in lower counterfeit rates.

Check out the full report here.

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Having amassed more than half a million Instagram followers and cracked the code of online fashion virality, the brand is now focused on expansion — both in retail and product. Since opening two brick-and-mortar locations (New York City and Miami), the label has quickly learned that its customer wants to complete their outfits without having to search elsewhere. So, after multiple sneaker collaborations with Reebok and Puma, Guizio decided to take footwear in-house. In May 2025, she launched a boot capsule, followed by two more styles earlier this year.

"The brand has really found its footing in the last five years," Guizio tells Fashionista over email, no pun intended. "It's been a very organic process...With everything we do, we really take our time. Shoes felt like a natural extension of how I see a full look coming together. It just took time to do it in a way that felt fully ours."

This week, Guizio checked another category off her to-do list: handbags. Teased via Instagram with a "Sex and the City"-like campaign video shot in lower Manhattan, the debut bag collection comprises three silhouettes ranging in price from $198 to $220 — all available to shop Thursday at 11 a.m. ET on the Guizio app and 12 p.m. ET on guizio.com. (The Lola Shoulder bag and Delia Mini Barrel Bag are 100% leather, with the third style being an Embellished Satin Pouchette.)

Guizio's customers have been asking for handbags for a while, according to the designer. "Bags felt like the missing piece, and the timing felt right to complete that full expression of the brand," she shares. "We've been developing these for a few years now and make sure the quality is at our standard."

Below, the designer explains how she landed on the new products, expansion strategy and how these new categories further serve her business overall.

It's been 12 years since you first started Guizio. What kind of brand did you set out to build back then, and how has that original vision held up over time?

I started Guizio wanting to build something that our girl can feel confident in. That core hasn't changed; it has just become more refined and intentional as I've grown.

Before making footwear in-house, you released various collaborations with shoe brands over the years. How did working with those collaborators help inform your solo launch?

Those collaborations taught me a lot about construction, fit and what our customer actually responds to. It gave me the confidence to be more precise when we did it on our own.

At what point did you feel the brand's identity was strong enough to expand beyond its initial category?

When I felt like people understood the world of Guizio beyond just one piece. It became more of a lifestyle than a product. People really don't know the brand has been around for 10 years. We really took our time.

What made 2025/2026 the right time to begin that expansion with shoes?

Everything aligned! From our team, to our resources, to the clarity of the brand. It finally felt like we could execute it at the level it deserved. We have more stores opening this year and customers have been asking for more styles in our New York and Miami locations.

How do these categories serve the Guizio business going forward?

It allows us to build a more complete wardrobe and deepen our relationship with the customer. It's about longevity and creating a full lifestyle around the brand.

What was the biggest learning curve when designing accessories compared to clothing?

The level of precision. Accessories are less forgiving because every detail, proportion and finish has to be perfect.

How about the biggest challenge you've faced in producing accessories?

Sourcing the right materials and finding partners who can execute at the quality we expect. It's a very different process from apparel. We focused on materials that felt elevated but still accessible. The silhouettes are rooted in classics but with subtle, signature details.

What has this process unlocked creatively for you that you didn't anticipate?

It pushed me to think more holistically about styling and function. It's expanded how I design beyond just clothing.

Now that shoes and bags are in the mix, what does expansion look like going forward?

It's about continuing to build the world of Guizio in a thoughtful way and expanding categories when it feels organic, not forced. We have more of our own physical [retail destinations] opening over the next 24 months. We want our stores to feel like a one-stop shop for our girl.

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Timothée Chalamet Invests in Watchmaker Urban Jürgensen

Timothée Chalamet will join watchmaking house Urban Jürgensen as a partner with a minority equity stake in the company. Chalamet joins a small number of external investors who together own a small portion of the company. This is the first time Chalamet has taken a partnership role in a company. He will also work as a creative advisor to the house on a number of projects and initiatives. {Fashionista inbox}

Moncler Group Reports 12% Revenue Boost in Q1 2026

Moncler Group released its Q1 2026 results on Tuesday, which showed a 12% increase in group revenue to €880.6 million ($1.03 billion). Moncler reported Q1 2026 revenues of €766.5 million ($899.8 million), also a 12% increase compared to the first three months of 2025. Moncler's direct-to-consumer channel was up 14% year-over-year, and it saw strong performance in Asia (a 22% boost) and the Americas (a 7% boost). {Moncler Group}

Outdoor Voices Is Sold at Sam's Club Now

Following Outdoor Voices Founder Ty Haney's return to relaunch the brand, its popular exercise dress is now selling at Sam's Club for $22, 78% below its normal retail price. Consortium founder and managing partner Cory Baker has defended the decision: "If you show me your brand that says, 'No, I don't want to sell more products to more customers and more retailers,' I'll show you a brand that never actually makes money, period," he told Puck's Malique Morris. "We're less focused on cachet and more focused on great products for a customer who wants it." {Puck/paywalled}

Safilo to Acquire Spy+ and Serengeti

Safilo Group has entered an agreement with Bollé Brands to acquire Spy+ and Serengeti, two U.S. brands operating in the sports, outdoor and high-end eyewear segments. Together, Spy+ and Serengeti generated sales of approximately $39 million in 2025. Spy+ and Serengeti will join Carrera, Polaroid, Smith, Blenders, Privé Revaux and Seventh Street in Safilo Group's portfolio. {Safilo Group}

Kiko Milano Names Its First Global Makeup Artistry Creative Director

Kiko Milano has named Marcelo Gutierrez as its first global makeup artistry creative director. Gutierrez is known for working with Madonna, Charli XCX and Lily Rose-Depp, among others. Gutierrez will oversee Kiko Milano's overall makeup direction and also guide celebrity collaborations and participation in cultural events. "The brand's dedication to making forward-thinking beauty accessible to everyone, without compromising on quality, deeply resonates with me and my experience in the industry," Gutierrez said in a statement. {WWD/paywalled}

Roc Nation and FIT Announce Winner of Student Design Competition

Roc Nation and the Fashion Institute of Technology (FIT) announced the winners of a design competition hosted by Roc Nation, exclusively for FIT students. Beatrice (Xuan) Mak, Fashion Design BFA, won first place and was awarded a $20,000 grant from Roc Nation. One of her designs will be developed and available at retail later this year. Jiwon Park, Fashion Design BFA, took second place and was awarded a $5,000 grant, and Zion Burrell, Fashion Design MFA, received a $3,000 grant as the third-place winner. {Fashionista inbox}

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